Lives of the Most Excellent Painters, Sculptors, and Architects oor Katalaans
Lives of the Most Excellent Painters, Sculptors, and Architects
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Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects erroneously stated that Simone was the brother of Donatello.
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According to Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects, Matteo dal Nasaro excelled in the production of portrait cameos.
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Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects recounts that Pesello was an Italian (Florentine) painter who flourished from about 1390 and died after 1457.
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Longhi is one of the few female artists mentioned in the second edition (1568) of Italian painter and art historian Giorgio Vasari's epic work Lives of the Most Excellent Painters, Sculptors, and Architects.
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Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects recounts that Paolo Romano was a modest man whose sculpture was far superior to that of his boastful contemporary Mino del Reame.
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Yet as the art historian Elizabeth Pilliod has pointed out, Vasari was in fierce competition with the Pontormo/Bronzino workshop at the time when he was writing his Lives of the Most Excellent Painters, Sculptors, and Architects.
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Jacopo assisted Michelangelo in painting the ceiling of the Sistine Chapel in Rome, and, according to Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects, “lived in very close intimacy with Michelangelo” (Jonathan Foster translation).
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The Lives of the Most Excellent Painters, Sculptors, and Architects (Italian: Le Vite de' più eccellenti pittori, scultori, e architettori), also known as The Lives (Italian: Le Vite), is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most-read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "the first important book on art history".
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