Holzfeind stages Yosizaka’s extraordinary architecture as a set for IRO’s performances, which combine improvisation on Noh and stone flutes, fan drum, and kagura bells with their unique punk kagura version of ancient Shinto rituals, indigenous ceremonies, and Korean mask theater. In steady takes and rhythmic cuts, Holzfeind’s film plays with the contrasts and interactions between the brutalist architecture, the surrounding nature, and the musicians’ performance and instruments.
Okay, gut.Wir gestehen, du hast uns erwischtParaCrawl Corpus ParaCrawl Corpus