hierarchy of genres oor Grieks

hierarchy of genres

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The Western hierarchy of genres reflected similar attitudes.
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He was a firm believer in the hierarchy of genres.
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The new academies began to offer training in drawing and the early stages of painting to students, and artistic theory, including the hierarchy of genres, increased in importance.
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Almost all of these rules are taken from Karel van Mander's own Mannerist Schilder-boeck, in which history painting was presented as the highest of the hierarchy of genres.
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Like the world landscapes, these represented a typically "Mannerist inversion" of the normal decorum of the hierarchy of genres, giving the "lower" subject matter more space than the "higher".
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This was also probably partly the result of the biographers' following contemporary prejudices against marine, landscape, and still life painting, regarded as the lowest in the hierarchy of genres.
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The widely held theory of the "hierarchy of genres" in painting, whereby some types were regarded as more prestigious than others, led many painters to want to produce history painting.
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Unlike their Dutch contemporaries, Italian and French landscape artists still most often wanted to keep their classification within the hierarchy of genres as history painting by including small figures to represent a scene from classical mythology or the Bible.
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A major contrast between landscape painting in the West and East Asia has been that while in the West until the 19th century it occupied a low position in the accepted hierarchy of genres, in East Asia the classic Chinese mountain-water ink painting was traditionally the most prestigious form of visual art.
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In the 19th century, with a near-universal respect for realism, and the final decline of the hierarchy of genres, contemporary painters began to borrow from genre painters both their realism and their use of objects for narrative purposes, and paint similar subjects themselves, with all the genres the Dutch had pioneered appearing on far larger canvases (still lifes excepted).
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He was a very skilled portraitist but, possibly because of the lower ranking of portraiture in the hierarchy of pictorial genres, he painted only a few (possibly about 12) portraits.
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In his 1678 treatise on painting, painter-writer Samuel van Hoogstraten reserved top spot in the hierarchy of genres for history painting.
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Koutlidis Foundation Collection, Inv. no: In spite of the fact that still-life painting was at the lower end of the hierarchy of painting genres as taught at the fine art academies that began to be established in the royal courts of Europe in the 17th century, the depiction of objects, flowers, fruits, game, breakfast tables was very popular during the 16th and 17th centuries, especially in the Netherlands.
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13 sinne gevind in 6 ms. Hulle kom uit baie bronne en word nie nagegaan nie.