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Antony Santos

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Antony Santos

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Antony Santos - Corazon Bonito (1993).mp3
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At this point Antony Santos is the elder statesman of bachata.
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Get Antony Santos tickets from Razorgator today.
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ANTONY SANTOS - DONDE ESTARA Lyrics
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If you're a fan of Antony Santos, you're going to love that record.
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Durán’s influence is evident in the music of both Luis Vargas and Antony Santos, bachata’s two major stars of the 1990s.
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As it was these two, particularly Antony Santos, who defined the style of the new generation, Romero Santos’ importance cannot be overstated.
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One of the pieces that was most applauded by the public was Bachata Creíste, with music by popular Bachata singer Antony Santos.
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And Romeo makes up for it by having Antony Santos, Luis Vargas AND Raulin Rodriguez all in ONE song ("Debate de 4").
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Antony Santos, followed the lead of his mentor Luis Vargas and Eladio Romero Santos in playing the strings downward, with a thumb pick.
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Along with Antony Santos and Luis Vargas, he is one of three bachateros who revolutionized bachata during the early decade of the nineties.
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This innovation can be credited to Durán first and foremost, and later to Luis Vargas and Antony Santos, who were influenced by Eladio Romero Santos.
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In 1990, Antony Santos left Vargas’ group, where he played guira, to form his own, and for personal and professional reasons the two became bitter rivals.
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Other emerging bachata artists such as Luis Vargas and Antony Santos have played a pivotal role in popularizing the genre further by incorporating bachata-merengues into their repertoire.
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Events with Antony Santos at their head, continued to enjoy success throughout the 1990s, and bachata continued to become both simpler and more romantic than it had been previously.
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There is, however, no argument that the single most influential bachatero in establishing the modern style, as well as the most commercially successful within the Dominican Republic is Antony Santos.
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The formula was of course copied by many at the time, and the other pioneers of the modern style, Luis Vargas and Antony Santos, began their careers singing doble sentido.
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The group of bachateros who followed in Durán’s footsteps—Luis Vargas, Raulín Rodriguez, Antony Santos, Juan Bautista--all had a role in defining what the music has come to sound like today.
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Although he is certainly one of the pioneers of modern bachata, Vargas has not shown the same talent as his great rival, Antony Santos, for adapting to the changes the genre has undergone.
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Furthermore, both Antony Santos’ and Luis Vargas’ earliest successes were double-entendre songs (e.g., for Santos, “El behuco,” “La parcela” and “La passola”; for Vargas, “La maravilla,” “La traicionera,” and “El zapatero,” among others).
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All of them grew up listening to the most popular bachateros of the era—singers like Blas Duran, Raulín Rodríguez, Teodoro Reyes, and Joe Veras—but the biggest influence on the group was Antony Santos.
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It is significant that bachateros from the frontier, like Vargas and his great rival, Antony Santos, became popular when merengue played on the guitar was in the ascendant after Durán’s bachata-merengue hit: “Consejo a las mujeres”.
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His incorporation of saxophones and piano seem to have hurt the popularity of his most recent recordings, although the bachatas on them, including “La jaula de oro” and “Ay, ay, ay” (recorded live), have been well received Antony Santos
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Musicians like Luis Vargas and Antony Santos owe a deep debt to Romero Santos’ music, and local cover groups both in the United States and the Dominican Republic still perform today merengues which Romero Santos recorded as long ago as 1970.
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Contemporaries of Guerra like Raulin Rodriguez and Antony Santos made their name with romantic songs, but their musical style owes much more to the bachateros who came before them, and particularly to Blas Durán and Luis Segura, than to Juan Luis Guerra.
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