Heinrich Ignaz Biber oor Spaans
Heinrich Ignaz Biber
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Heinrich Ignaz Biber
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He was the leading Austrian composer of his generation, and an influence on Heinrich Ignaz Biber.
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The Rosary Sonatas (Rosenkranzsonaten, also known as the Mystery Sonatas or Copper-Engraving Sonatas) by Heinrich Ignaz Franz Biber are a collection of 15 short sonatas for violin and continuo, with a final passacaglia for solo violin.
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The repertoire for solo violin was actively growing at the time: Heinrich Ignaz Franz Biber's celebrated solo passacaglia appeared c.1676; Westhoff's collections of solo violin music were published in 1682 and 1696; Johann Joseph Vilsmayr's Artificiosus Concentus pro Camera in 1715, and Johann Georg Pisendel's solo violin sonata was composed around 1716; and finally, Georg Philipp Telemann published 12 Fantasias for solo violin in 1735.
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Heinrich Ignaz Biber (1644–1704), composer and violinist
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The piece is notable for one of the earliest known uses of polytonality (though not the earliest, as Heinrich Ignaz Franz Biber's Battalia used Polytonality), creating the gesture of complete collapse at the finale.
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5 sinne gevind in 5 ms. Hulle kom uit baie bronne en word nie nagegaan nie.