Juan de Orduña oor Spaans
Juan de Orduña
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Juan de Orduña
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Juan de Orduña would later have an enormous commercial hit with El Último Cuplé (1957), with leading actress Sara Montiel.
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In the 1940s he gained great popularity in films such as Te quiero para mí (1944) and El testamento del virrey (1944), both directed by Ladislao Vajda; Ella, él y sus millones (1944) by Juan de Orduña; El fantasma y doña Juanita (1945) by Rafael Gil and Pacto de silencio (1949), by Antonio Román.
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He appears in classics as Eloísa está debajo de un almendro (1943); El clavo (1944), both directed by Rafel Gil and both co-starred by Amparo Rivelles; Tuvo la culpa Adán (1944) and Él, ella y sus millones (1944), both by Juan de Orduña; El destino se disculpa (1945), directed by José Luis Sáenz de Heredia or La vida en un hilo (1945), by Edgar Neville, with Conchita Montes.
Por otra parte, un bufete de abogados representaba a otro competidorWikiMatrix WikiMatrix
Film: "Zalacaín el aventurero" (1955) Juan de Orduña
Voy a volar esta mierda... fuera de la montaña, ahora mismoParaCrawl Corpus ParaCrawl Corpus
Extremely well-known was the morbid interpretation by Sara Montiel in the movie “El último cuplé” (Juan de Orduña, 1957).
Sólo salimos un par de vecesParaCrawl Corpus ParaCrawl Corpus
The filmic portrait of Joanna of Castile started early during the silent era but there were the movies by Juan de Orduña in 1948 and Vicente Aranda in 2001 that definitely create his contemporary public image.
Creo que la ponía nerviosaParaCrawl Corpus ParaCrawl Corpus
The historical works directed by Juan de Orduña are the most original, complex and contradictory confluence of ideological interests from the Regime, from the eagerness for pomp and majesty from the producer CIFESA and from the tastes of the actual spectators.
Una homologación civil de tipo; oParaCrawl Corpus ParaCrawl Corpus
In the fifties tango would decline but the success of “Fumando espero” sung by Sarita Montiel in the Spanish movie that was a box-office hit for a long time, El último cuplé (Juan de Orduña, 1957), would make her include it in her songbook and also record several tens of tangos.
Dijo, " Ninguna perrita puede hacer que acabe "ParaCrawl Corpus ParaCrawl Corpus
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