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The animated film created by Lotte Reiniger premiered in Berlin in 1926.
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Lotte Reiniger, an amazing shadow puppeteer in the 20s, that started doing more elaborate things.
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The Adventures of Prince Achmed (German: Die Abenteuer des Prinzen Achmed) is a 1926 German animated fairytale film by Lotte Reiniger.
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Moving to Munich, Fischinger licensed the wax slicing machine to Ruttmann, who used it to make some backgrounds for Lotte Reiniger's Prince Achmed film.
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Animators and directors of experimental films such as; Lotte Reiniger, Oskar Fischinger and Walter Ruttmann, were also very active in Germany in the 1920s.
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One of the earliest feature-length animated films was The Adventures of Prince Achmed, made in 1926 by Lotte Reiniger, a German artist who made silhouette animation using intricate cut-out figures and back-lighting.
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British animation has been strengthened by an influx of émigrés to the UK, renowned animators such as Lotte Reiniger (Germany), John Halas (Hungary), George Dunning and Richard Williams (Canada), Terry Gilliam and Tim Burton (USA) have all worked in the UK at various stages of their careers.
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These films were replete with punning intertitles and playful visual wit, with a number parodying the silhouette animation technique pioneered by Lotte Reiniger by using live actors in place of animated cutouts (Two-Chinned Chow, Shimmy Sheik, and Yes, We Have No...! – in which a man is driven to distraction by the ubiquity of the song "Yes!
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Babe's Lair, by Walt & expressionists, Lotte Reiniger, and Limbo."
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Lotte Reiniger (1899-1981) season in Multicines Tenerife in La Laguna
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Influenced by the German Expressionist movement of the early 1900s and films by Lotte Reiniger.
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3) Did you know the amazing shorts of Lotte Reiniger (the cut-out queen!)?
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Charlotte Reiniger, also known as Lotte Reiniger, was born in Germany and is regarded as the first woman in the world animation history.
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As a time reference, GEOPOLITICS OF ANIMATION offers a selection of classical creators which includes Segundo de Chomón, Lotte Reiniger, Kenzo Masaoka and Norman McLaren.
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Thanks to people like him and many others who understood the expressive potential of shadows, like filmmaker Lotte Reiniger, shadow theatre survived the onset of film.
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The idea of creating a short film based on the Lotte Reiniger’s silhouette animation technique rises from the strong relationship between life an death, light and darkness.
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Influenced by folktales and legends, Lotte Reiniger was a 'tour de force' of creativity and innovation: she invented the multiplane camera and created the oldest surviving animated feature.
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The collection features 23 classic stories, vintage illustrations from artists such as Kay Nielsen and Lotte Reiniger, artist biographies, and silhouettes specially commissioned for this edition which bind all the magic together.
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Shadowed paper cutouts – silhouettes – were used by Lotte Reiniger for Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed, 1926), where the refined work on cutouts was well served by the sensual animation.
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When you take a look at the credits of today ́s animated features where hundreds and hundreds of people work on it, it is hard to imagine that Lotte Reiniger pretty much animated the film all by herself.
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In addition to the permanent exhibits on the city’s history and the silhouette artist Lotte Reiniger, the museum presents special exhibitions on topics such as city history, important personalities, current developments in the city, or the general history of art and culture.
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This lovingly designed book contains a sparkling and unexpected selection of beautiful artwork from the 1840s to the 1980s by such artist greats as Kay Nielsen, the beloved Arthur Rackham, the eccentric Tom Seidmann-Freud (niece of Sigmund Freud), and the groundbreaking film animator Lotte Reiniger, as well as exciting, newly discovered talents.
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In the 1920s in Europe, puppet-influenced technique was used in cartoons created by Vladimir Mayakovsky (1925), in German experimental films such as those of Oskar Fischinger and Walter Ruttmann, and in the many films that Lotte Reiniger produced until the 1930s, inspired by Asian traditions of shadow puppetry and experiments at the Le Chat Noir (The Black Cat) cabaret.
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23 sinne gevind in 9 ms. Hulle kom uit baie bronne en word nie nagegaan nie.