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Ludovico Carracci

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Ludovico Carracci

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His cousin Lodovico (or Ludovico) Carracci (1555–1619) collaborated with them on various fresco commissions.
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In one shopfront she studied a painting titled Moses with the Golden Calf by Ludovico Carracci.
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Also noteworthy are the wooden choir from 1546 and the Assumption altarpiece by Tommaso Laureti and Ludovico Carracci (1602).
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He became one of Ludovico Carracci's primary assistants, and upon Ludovico's death in 1619 became Caposindaco of the Accademia degli Incamminati.
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When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named Accademia degli Incamminati (Academy of the "newly embarked", or progressives), led by Ludovico Carracci.
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In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the Academy of the Desiderosi (desirous of fame and learning) and subsequently the Incamminati (progressives; literally "of those opening a new way").
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Among the most important artworks in the interior is the frescoed frieze of Histories of the Foundation of Rome executed in 1590 by the brothers Ludovico, Annibale and Agostino Carracci in the salone on the piano nobile.
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Trinity with the Dead Christ - Ludovico Carracci - as an art print of reproArte
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Ludovico Carracci - Annunciation details
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Ludovico Carracci - Trinity with the Dead Christ
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Christ in the desert - Ludovico Carracci - as an art print of reproArte
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By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci.
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The Presentation of the Christ Child in the Temple - Ludovico Carracci | Museo Thyssen
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Gandolfi's work ranges from Baroque to Neoclassic styles, and specifically recalls the style of Ludovico Carracci.
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By 1615, he moved to Bologna, where his work was praised by Ludovico Carracci.
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Behind its towering Baroque walls are wide naves adorned with famous frescoes including an Annunciation painted by Ludovico Carracci.
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His works suggest some influence from the late work of Ludovico Carracci, a cousin of Agostino and Annibale, and possibly from Caravaggio.
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It is said that he was largely self-taught, but living in Bologna he was influenced by the work of Ludovico Carracci (1555 – 1619).
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With his cousin, Ludovico Carracci (1555 – 1619) and brother, Agostino (1557 – 1602), Annibale helped forge an influential style for the Bolognese School of painting.
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He often claimed that his early style was influenced by a canvas of Ludovico Carracci that he saw in the Capuchin church in Cento.
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In 1582, Annibale, his brother Agostino, and his cousin Ludovico Carracci opened a painters' studio, initially called by some the Academy of the Desideros......
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Ludovico Carracci (1555 – 1619) and his cousins, the brothers Annibale Carracci (1560 – 1609) and Agostino Carracci (1557 – 1602) founded the Accademia degli Incamminati, or Eclectic Academy of painting.
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Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Agostino and Ludovico Carracci.
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Many art historians suggest that these errors are intentional, meant to draw us into a deeper interpretation, but again, his contemporaries, from Ludovico Carracci to Bellori, attributed it to lack of drawing skill.
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The works performed eliminated the Gothic-Roman traces that were characterising the style and the Annunciazione (Annunciation) by Ludovico Carracci was added, a work of inestimable value that still attracts tourists visiting the city.
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