Red Bull Theatre oor Spaans

Red Bull Theatre

Vertalings in die woordeboek Engels - Spaans

Red Bull Theatre

voorbeelde

Matthew had something to do with the Red Bull Theatre.
Matthew tiene algo que ver con el Red Bull Theater.

In this capacity, he worked closely with Thomas Heywood, producing most of that prolific writer's plays at the Red Bull Theatre.
Trabajó junto a Thomas Heywood, produciendo la mayor partre de las obras de este autor en el Red Bull Theatre.

The other two I’ll have to look up for you, but I do know the Red Bull Theatre was in Clerkenwell.
Los otros dos tendré que buscarlos, pero sé que el Red Bull Theater estaba en Clerkenwell.

Queen Anne's Men originally performed at the Curtain Theatre — they acted The Travels of the Three English Brothers, by William Rowley, John Day, and George Wilkins, there in 1607; but they also acted the same play at the Red Bull Theatre in Clerkenwell that same year, becoming the first company to play there.
Los hombres de la Reina Ana actuaron originalmente en el Teatro Curtain—interpretaron The Travels of the Three English Brothers, de William Rowley, John Day, y George Wilkins, allí en 1607; pero también hicieron la misma obra en el Red Bull Theatre en Clerkenwell el mismo año, siendo así la primera compañía que actuó allí.

During the 1630s, the theatre was occupied at various times by the King's Revels Men (1630–31 and 1633–36), by Prince Charles's Men (1631–33), and by Queen Henrietta's Men (1637–42); for a time it was a major locus of dramatic activity, a main rival to the theatrical establishment run by Christopher Beeston at the Cockpit and Red Bull theatres.
Durante la década de los años 1630, el teatro estuvo ocupado en varias ocasiones por la King's Revels Company (1630-1 y 1633-6), por los Prince Charles's Men (1631-3), y Queen Henrietta's Men (1637-42); durante un tiempo rivalizó con el Cockpit y el Red Bull.

An enclosed "private" venue like the Blackfriars Theatre, it was a successor to the earlier Whitefriars Theatre (which had been just on the other side of Water Lane) and the short-lived Porter's Hall Theatre, and catered to an upscale and elite audience—in contrast to the open-air theatres like the Globe, Fortune, and Red Bull theatres that served a mass audience (especially in the latter two cases).
Era un teatro "privado" cerrado, como el Teatro de Blackfriars, y sucedió al Whitefriars Theatre (que estuvo justo al otro lado de Water Lane) y del Porter's Hall theatre, de corta duración, con una audiencia más bien aristocrática, en lugar del público popular de los teatros al aire libre como el Globe, el Fortune, y el Red Bull Theatre.

Beeston intended the Cockpit to serve as an indoor complement to the Red Bull, the outdoor theatre then home to his acting troupe, Queen Anne's Men.
Beeston pretendía que el Cockpit sirviera como complemento techado del Red Bull, el teatro abierto que entonces albergaba a su compañía, Queen Anne's Men.

After the temporary demise and ultimate eclipse of the Fortune Theatre in 1621, the Red Bull was the main attraction in Middlesex for citizens and apprentices.
Después del eclipse del Teatro Fortune en 1621, el Red Bull fue la principal atracción en Middlesex para los ciudadanos y aprendices.

With the building of the Salisbury Court Theatre in 1629 near the site of the defunct Whitefriars, the London audience had six theatres to choose from: three surviving large open-air public theatres—the Globe, the Fortune, and the Red Bull—and three smaller enclosed private theatres: the Blackfriars, the Cockpit, and the Salisbury Court.
Con la creación del Salisbury Court Theatre en 1629 el público de Londres tenía seis teatros entre los que elegir: tres que sobrevivían de la época de los grandes teatros "públicos" al aire libre, el Globe, el Fortune, y el Red Bull, y tres teatros "privados", más pequeños y cerrados.

On Shrove Tuesday 1617, a mob of apprentices ransacked and torched the theatre; patrons of the Red Bull, they appear to have been angry that their favourite plays had been moved to the more-exclusive (and expensive)indoor theatre.
El martes de carnaval de 1617 una banda de aprendices asaltaron el teatro y lo quemaron, al parecer enfadados porque sus obras favoritas se habían llevado a los más exclusivos teatros cerrados.

With the building of the Salisbury Court Theatre in 1629 near the site of the defunct Whitefriars, the London audience had six theatres to choose from: three surviving large open-air "public" theatres, the Globe, the Fortune, and the Red Bull, and three smaller enclosed "private" theatres, the Blackfriars, the Cockpit, and the Salisbury Court.
Con la creación del Salisbury Court Theatre en 1629 el público de Londres tenía seis teatros entre los que elegir: tres que sobrevivían de la época de los grandes teatros "públicos" al aire libre, el Globe, el Fortune, y el Red Bull, y tres teatros "privados", más pequeños y cerrados.