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Whitefriars Theatre

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Whitefriars Theatre

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After that point, the story of the Whitefriars Theatre grows obscure; Prince Charles's Men may have used the theatre, though they were also acting at the Hope.
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An enclosed "private" venue like the Blackfriars Theatre, it was a successor to the earlier Whitefriars Theatre (which had been just on the other side of Water Lane) and the short-lived Porter's Hall Theatre, and catered to an upscale and elite audience—in contrast to the open-air theatres like the Globe, Fortune, and Red Bull theatres that served a mass audience (especially in the latter two cases).
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In this company, he performed in the theatre in Whitefriars and, frequently, at court, in plays such as Beaumont and Fletcher's The Coxcomb.
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Other small enclosed theatres followed, notably the Whitefriars (1608) and the Cockpit (1617).
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With the building of the Salisbury Court Theatre in 1629 near the site of the defunct Whitefriars, the London audience had six theatres to choose from: three surviving large open-air public theatres—the Globe, the Fortune, and the Red Bull—and three smaller enclosed private theatres: the Blackfriars, the Cockpit, and the Salisbury Court.
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To add an element of posthumous confusion, the Salisbury Court Theatre was sometimes referred to as the Whitefriars in later years, as in the 1660s diary of Samuel Pepys.
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It resembled a modern theatre in ways that its predecessors did not. Other small enclosed theatres followed, notably the Whitefriars (1608) and the Cockpit (1617).
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With the building of the Salisbury Court Theatre in 1629 near the site of the defunct Whitefriars, the London audience had six theatres to choose from: three surviving large open-air "public" theatres, the Globe, the Fortune, and the Red Bull, and three smaller enclosed "private" theatres, the Blackfriars, the Cockpit, and the Salisbury Court.
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