The project’s references include the series of medieval tapestries, La Dame à la licorne; the action Dissolution dans l’eau (1978), by the conceptual artist Lea Lublin; the poem ‘Cadáveres’ (1981), by Néstor Perlongher, written in a Rioplatense, neo-Baroque literary style; the concept of anthropophagic subjectivity of Suely Rolnik; and the A.S.M.R. sensory techniques. This constellation of references inspired a series of ongoing works: a film, a script for a performance and a collection of objects-clothes suggesting a different way of making and being together.
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