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Albert Camus
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French writer who portrayed the human condition as isolated in an absurd world (1913-1960)
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Albert Camus: From the Absurd to Revolt.
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Jean-Paul Sartre's Being and Nothingness and Albert Camus' The Myth of Sisyphus discussed the topic.
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“The awful thing about getting old is not being listened to.” —Albert Camus, French novelist
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In this sense he is similar to Meursault in Albert Camus's novel The Stranger.
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Albert Camus devotes a section of The Rebel to Stirner.
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In Albert Camus's existentialist novel The Stranger, the bored, alienated protagonist Meursault struggles to construct an individual system of values as he responds to the disappearance of the old.
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Globalization's contribution to the alienation of individuals from their traditions may be modest compared to the impact of modernity itself, as alleged by existentialists such as Jean-Paul Sartre and Albert Camus.
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It is in relation to the concept of the devastating awareness of meaninglessness that Albert Camus claimed that "there is only one truly serious philosophical problem, and that is suicide" in his The Myth of Sisyphus.
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Some scholars argue that the term should be used only to refer to the cultural movement in Europe in the 1940s and 1950s associated with the works of the philosophers Sartre, Simone de Beauvoir, Maurice Merleau-Ponty, and Albert Camus.
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Between 1900 and 1960, other authors such as Albert Camus, Franz Kafka, Rainer Maria Rilke, T.S. Eliot, Herman Hesse, Luigi Pirandello, Ralph Ellison, and Jack Kerouac, composed literature or poetry that contained, to varying degrees, elements of existential or proto-existential thought.
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Following the Second World War, existentialism became a well-known and significant philosophical and cultural movement, mainly through the public prominence of two French writers, Jean-Paul Sartre and Albert Camus, who wrote best-selling novels, plays and widely read journalism as well as theoretical texts.
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