The theory claimed by Yonekura and Kuroda has wide-ranging evidence , for example , the form of the headdress worn in the portraits is observed only after the end of the Kamakura period , the hair pin type sword has a form that was established from the 13th to the 14th century , the silk in such a size used for the three portraits appeared after the late Kamakura period and silk was connected before that period , and the style of expression ( drawing of eye brows , eyes , ears , and lips ) of the three portraits is strongly similar to the one in the middle of the 14th century ; based on such evidence , it is natural to suppose these three portraits were drawn in the period of the Northern and Southern Courts .
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