patterns oor Kornies

patterns

naamwoord

Plural form of pattern.

Vertalings in die woordeboek Engels - Kornies

patronyow

Soortgelyke frases

patterned ground
dor patronys

Exeter pattern hammer
morthol patron Keresk

settlement pattern
patron trevesigeth

London pattern hammer
morthol patron Loundres

Pattern Close
Kew Batron

new pattern centre bit
ebil kreshe patron nowydh

new pattern center bit
ebil kreshe patron nowydh

pattern
patron · skantlyn

flower-patterned
bleujyowus

voorbeelde

Moonta cast itself as unique amongst Cornish immigrant communities. Hundreds of Cornish miners arrived in the second half of the nineteenth century and established the Cornish cultural patterns which saw the town invent itself as ‘Australia’s Little Cornwall’.
Moonta a omworras avel le unnik yn mysk kemmyniethow Kernewek tramor. Kansow a dhen bal a dheuth yn nessa hanter an nownsegves kansblydhen hag i a sevis patronyow gonisogethek Kernewek ha dredha an dre a omdhismygas bos ‘Kernow Byghan Ostrali’.

‘Bleujennow an gog ha kennin’ is a form of ‘awdl’ (ode) in the Welsh ‘Toddaid’ style. A ‘Toddaid is quite complex and is a stanza comprising a ten-syllable line alternating with a nine-syllable line. A syllable towards the end of the first line rhymes with one in the middle of the second line, and the pattern is continued in lines three and four. Lines two and four rhyme with each other and the rhyme can fall within any of the highlighted syllables. See the pattern below:
‘Bleujennow an gog ha kennin’ yw furv ‘awdl’ (‘ode’ in sowsnek) yn gis Kembrek ‘Toddaid’. An furv ma yw re gompleth hag yth yw savla (‘stanza’) gans linenn a dheg syllabenn ow keschanya gans linenn a naw syllabenn. Syllabenn war-tu ha penn an kynsa linenn a wra rim gans onan yn mysk an nessa linenn hag an skantlyn a bes yn linennow teyr ha peswar. Yma rim ynter linennow diw ha peswar hag an rim a yll koedha yn neb syllabenn yw ughelhes y’n diskwedhyans a-woeles:

Diverse Deposits in Melas Chasma ESP_041134_1720 Science Theme: Sedimentary/Layering Processes Cornish Latin Welsh HICLIP 1080p (MP4) Audio (MP3) WALLPAPER 800 1024 1152 1280 1440 1600 1920 2048 2560 2880 HIFLYER PDF (11 x 17) HISLIDES PowerPoint Keynote PDF This scene includes chaotic deposits with a wide range of colors. The deposits are distinctive with both unique colors and small-scale textures such as fracture patterns. These are probably sedimentary rocks, transported and deposited in water or air. The original layers may have been jumbled in a landslide. Dark or reddish sand dunes cover some of the bedrock. Written by: Alfred McEwen (narration: Tre Gibbs) (29 July 2015)
Godhesow Divers yn Melas Chasma ESP_041134_1720 Sowsnek Kembrek twitter WALLPAPER 800 1024 1152 1280 1440 1600 1920 2048 2560 2880 HIFLYER PDF (A4) HISLIDES PowerPoint Keynote PDF An gwel ma a syns ynno godhesow kemyskys gans liester a liwyow. Diblans yw an godhesow gans liwyow dibarow ha gwiasedhow byghan aga arenebedh, rag ensampel patronyow torrow. Dell hevel an re ma yw karygi godhosel, treusperthys ha droppys yn po dowr po ayr. Martesen an gweliow derowl a ve kemyskys yn dorslynk. Tewes tewl po rudhik a gudh rann an gwelidor. Treylyans: Steve Harris Dydhyas a ynkerdh 06 mis Me 2015 Our leel war Veurth 2:19 PM Dorles -8° Dorhys 283° Ughelder a sterlester 264 km Towlans Mappa Parhirbedrek Elin Dyllans 7° Elin Agweth 27° JPEG Du ha gwynn: Towlans kartografiethel Towlans ankartografiethel Kolor IRB: Towlans kartografiethel Towlans ankartografiethel IRB kesunys (isrudh, rudh, blou): Towlans kartografiethel RGB kesunys (rudh, gwer, blou): Towlans kartografiethel Kolor RGB: Towlans ankartografiethel JP2 (DOWNLOAD) Du ha gwynn: Towlans kartografiethel (671 MB) Kolor IRB: Towlans kartografiethel (378 MB) JP2 EXTRAS Du ha gwynn: Towlans kartografiethel (319 MB) Towlans ankartografiethel (385 MB) Kolor IRB: Towlans kartografiethel (130 MB) Towlans ankartografiethel (314 MB) IRB kesunys: Towlans kartografiethel (164 MB) RGB kesunys: Towlans kartografiethel (157 MB) Kolor RGB: Towlans ankartografiethel (310 MB) Kedhlow imach keworansel Libel du ha gwynn Libel kolor Libel IRB kesunys Libel RGB kesunys EDR IRB: isrudh-rudh-glas RGB: rudh-gwyrdh-glas Kedhlow aspians Pub imach oll yw draylya ha droppya rag HiView, po klyckya dh’y iskarga. Du ha Gwynn yw 5 km a-dreus; liw ynkressys a-dro dhe 1 km Rag skeul, usya imajys mappa-tewlys du ha gwynn JPEG/JP2 POLICI US Pub imach oll askorrys gans HiRISE ha hedhadow war an le ma yw a-ji dhe’n arlotteth poblek: nyns eus fronansow war aga us gans denvyth y’n poblek, yn unn gomprehendya nowodhow po kowethyansow skiens. Ni a wra govyn rag linen gresys yn le mayth yw possybyl: NASA/JPL-Caltech/UArizona WOSA SKRIF Arbrovji Kengorrans Jett NASA, rannans an Fondyans Kaliforni a Deknologieth yn Pasadena, Kalif., a venyster an Resegvaer Aspians Meurth rag Kesva Gevarwodha Kanaseth Skiens NASA, Washington. An kamera HiRISE a veu drehevys gans Korforeth Ayrefanvos ha Teknologieth Ball hag yw oberys gans Pennskol Arizona.

pattern
skantlyn [hanow gorow] skantlyns [hanow liesplek] [disamstyryans]

The periodic table, also known as the periodic table of the (chemical) elements, is a tabular display of the chemical elements. It is widely used in chemistry, physics, and other sciences, and is generally seen as an icon of chemistry. It is a graphic formulation of the periodic law, which states that the properties of the chemical elements exhibit a periodic dependence on their atomic numbers. The table is divided into four roughly rectangular areas called blocks. The rows of the table are called periods, and the columns are called groups. Elements from the same column group of the periodic table show similar chemical characteristics. Trends run through the periodic table, with nonmetallic character (keeping their own electrons) increasing from left to right across a period, and from down to up across a group, and metallic character (surrendering electrons to other atoms) increasing in the opposite direction. The underlying reason for these trends is electron configurations of atoms. The first periodic table to become generally accepted was that of the Russian chemist Dmitri Mendeleev in 1869: he formulated the periodic law as a dependence of chemical properties on atomic mass. Because not all elements were then known, there were gaps in his periodic table, and Mendeleev successfully used the periodic law to predict properties of some of the missing elements. The periodic law was recognized as a fundamental discovery in the late 19th century, and it was explained with the discovery of the atomic number and pioneering work in quantum mechanics of the early 20th century that illuminated the internal structure of the atom. With Glenn T. Seaborg's 1945 discovery that the actinides were in fact f-block rather than d-block elements, a recognisably modern form of the table was reached. The periodic table and law are now a central and indispensable part of modern chemistry. The periodic table continues to evolve with the progress of science. In nature, only elements up to atomic number 94 exist; to go further, it was necessary to synthesise new elements in the laboratory. Today, all the first 118 elements are known, completing the first seven rows of the table, but chemical characterisation is still needed for the heaviest elements to confirm that their properties match their positions. It is not yet known how far the table will stretch beyond these seven rows and whether the patterns of the known part of the table will continue into this unknown region. Some scientific discussion also continues regarding whether some elements are correctly positioned in today's table. Many alternative representations of the periodic law exist, and there is some discussion as to whether or not there is an optimal form of the periodic table.
An Vosen Beriodek yw rol a elvennow kymyk. Y’n Vosen, settyes yw an elvennow yn aray aga niver atomek ow talleth gans niver onan, hidrojen. Niver atomek elven yw an keth tra ages an niver a brotonow yn nuklesen po sprusen an atom na. Y’n Vosen Beriodek renkys yw an elvennow yn periodow ha bagasow. Gelwys yw rew elvennow a-dreus dhe’n vosen period. Yma dhe bub period niver, a 1 dhe 8. Yma dhe Beriod 1 diw elven yn unnik: hidrojen ha heliom. Yma dhe Beriod 2 ha Period 3 eth elven. Hirra yw periodow erel. Yma dhe’n elvennow yn period niverow atomek yn eyl wosa y gila. Versyon savonek an Vosen Beriodek Gelwys yw koloven elvennow yn-nans mosen bagas. Yma 18 bagas y’n vosen beriodek savonek. Yma dhe bub bagas niver: a 1 dhe 18. Elvennow yn bagas a renk aga elektronow yn fordhow hevelep, herwydh an niver a elektronow talvos, hag a re taklow kymyk hevelep dhedha, h.y. i a omdheg yn fordhow hevelep. Rag ensampel, aswonnys yw bagas 18 avel gassys nobyl drefen aga bos gassys oll ha ny wrons kesunya gans atomow erel. Usys yw an vosen beriodek gans kymygydhyon dhe weles patronyow ha perthynyansow ynter elvennow. Yma tri chyf bagas y’n Vosen Beriodek; alkenyow, alkanoydow, ha dialkenyow. Rag ensampel, elvennow a-bell war askel gledh ha war woles an vosen yw an moyha metelyek, hag elvennow war an dheghow a-wartha yw an lyha metelyek. Yma lies patron ha perthynyans aral ynwedh. Devisys veu an vosen beriodek gans an kymygydh a Russi Dmitry Ivanovich Mendeleyev (1834-1907). Dh’y enora, henwys veu elven 101 mendeleviom.

patterns
/ patronyow / / /

I realised immediately that I’d been overly optimistic – I had thought he might remember, in the deep recesses of his ‘mind’ that he had once been the family’s resident card-sharp. Apparently not – poker was out of the question. Maybe ‘snap’? No, I thought, I would start at an even more basic level than that – just as you would start with a small child. I would spread the cards out in front of him, grouping them in their suits and lining them up according to their numbers and images. Did David still have the capacity for pattern recognition with his degraded sight and his degraded mind? David and I sat cross-legged on the floor, facing each other in the semi- darkness of the crypt. He seemed to be watching me carefully as I lay out the four rows of cards in front of him: all the diamonds, all the hearts, all the spades and all the clubs in numerical order. What did he see? I sat silently as he seemed to move his head slowly in order to scan across the rows of cards – and back again. He started to make little grunting noises and then, with a roar and a violent sweep of his hand, scattered the deck across the floor. He put his face up close to mine and roared angrily once more – and then retreated to his makeshift bed and turned his back on me. “That went well,” I thought to myself, believing the opposite. I remained seated (and stunned) on the floor – but, within a short time, started to reconsider what had just happened. “If the cards truly meant nothing to him,” I wondered, “why the sudden display of anger?” Why the pointed retreat from me? That was not mere boredom or irritation. Had the cards triggered some painful memory? Was he suddenly aware of what he had now lost? I would have to wait and see. I was not going to get any more out of him today.
My a grysi a-dhistowgh ow bos re leun a waytyans. Y kryssen y hallsa perthi kov, y’n kilyer down a’y ‘vrys’, a’y vos kyns toellor-kartennow an teylu. Yn apert, nyns o hemma an kas. Nyns o possybyl ev dhe wari poeker. ‘Snap’, martesen? Na, a brederis vy, my a dhallathsen an gwari war nivel selvenel dres eghenn – kepar dell dhallathsen gwari gans fleghik: ow lesa an kartennow a-dheragdho hag ow kul bagasow anedha yn linennow herwydh aga sewtys, aga niverow ha’ga imajys. Esa hwath dhe Dhavydh galloes aswonn patronyow yn despit dh’y wolok dhiredhyes hag yn despit dh’y vrys diredhyes? Yth esen ni a’gan esedh war an leur, krowsegys agan diwarr ha’gan fasow an eyl orth y gila yn hanter-tewlder an gleudhgell. Yth heveli y vos ow mires orthymm ha my gorrys a-dheragdho peder res a gartennow: oll an adamantys, oll an kolonnow, oll an palyow hag oll an mullion – yn aray niverek. Pyth esa ow kweles? Yth esen a’m esedh, didros, hag ev hevelys gwaya y benn yn lent rag arhwilas a-dreus an resyow kartennow – dhe’n barth dyghow hag ena dhe’n barth kledh. Ev a wrug nebes roghigow hag ena, meur y vedhyglans, skattrys an kartennow war an leur gans skuberyans freudhek y dhorn. Bejeth ogas dhe vejeth, ev a vedhyglas yn serrys unnweyth arta – ha kildenna dh’y weli servadow ha treylya y geyn er ow bynn. “Henn eth yn ta,” a brederis vy, ow krysi kontrari. My a drigas a’m esedh war an leur, basys yn tien – byttegyns, wosa pols, my a dhallathas ombrederis a-dro dhe byth re hwarsa lemmyn. “Mar ny styrya an kartennow yn hwir mann dhodho,” a omwovynnis vy, “prag y hwrug a-dhesempis diskwedhyans a sorr a’n par na?” Prag y hwrug kildennans serth a’n par na dhiworthiv vy? Nyns o henna annians hepken po sorrvann. Martesen, an kartennow re sordsa kov ankensi. Martesen, ev a gonvedhsa a- dhesempis pyth re gollsa lemmyn. Res o dhymm gortos an gorthybow. Nyns esa moy bos dyskys dhiworto hedhyw.

model1 (n.) 1 a original skwir; b pattern patron; c inspiration; catalyst ynspirashyon; 2 a miniature; microcosm byghanvyz; b replica aven i toy hevelepter- byghan, havalder; 3 a sitter; poser model; b mannequin gisven, manykyn, model
model1 (n.) 1 a original skwir; b pattern patron; c inspiration; catalyst ynspirashyon; 2 a miniature; microcosm byghanvyz; b replica aven i toy hevelepter- byghan, havalder; 3 a sitter; poser model; b mannequin gisven, manykyn, model

Traditional Welsh poetry has a wealth of different styles, rigidly defined, with strict rhyming patterns and meters. According to the website ‘Poet’s Graves’ the Welsh language: ‘can boast 24 separate poetic forms: 12 awdl forms, 4 cywydd forms and 8 englyn forms. The forms can be expressed in 4 different ‘types of ‘cynghannedd’ (harmony). According to the website ‘Celtic Poetry’; ‘Celtic poetry is based on sound structures to make them easy to remember, with rhyme not as important as repetition, alliteration and rhythm.’ Simon Margetts has been exploring them and re-creating them in Cornish.
Yma dhe vardhonieth Kembrek palster a isyow divers, styrys yn stroth, gans skantlynys ha resyasow tynn. Herwydh an wiasva ‘Poet’s Graves’ yeth Gembrek: ‘a yll bostya a’y beswar warn ugens furv bardhoniethek: 12 furv ‘awdl’, 4 furv ‘cywydd’ hag 8 furv ‘englynn’. An furvow a yll bos diskwedhys dre beswar eghenn a ‘cynghanedd’ (kessenyans). Herwydh an wiasva ‘Celtic Poetry’; bardhonieth keltek yw selys orth framweythyow-son rag gul dhedha es dh’aga perthi yn kov, ha nyns yw rim mar poesek ha dasleveryans, daslythersenyans ha resyas. Simon Margetts re beu orth aga hwilas ha’ga daswul yn Kernewek.

Exeter pattern hammer
/ morthol patron Keresk / / /

pattern skantlyn HANOW GOROW skantlyns / HANOW LIESPLEK pattern patron HANOW GOROW patronyow / HANOW LIESPLEK pause powes (1) HANOW GOROW powesow / HANOW LIESPLEK pause powes (2) / VERB [dictionary]
pattern skantlyn HANOW GOROW skantlyns / HANOW LIESPLEK pattern patron HANOW GOROW patronyow / HANOW LIESPLEK pause powes (1) HANOW GOROW powesow / HANOW LIESPLEK pause powes (2) / VERB [gerlyver]

Cornish is one of six Celtic languages, the others being Breton, Welsh, Manx, Irish Gaelic and Scots Gaelic. It is thought that the Celts migrated across to Britain and Ireland from mainland Europe bringing their languages which became predominant in the islands. Two different but closely related groups formed the base for the development of modern Gaelic Celtic languages of Scotland, Ireland and Man in the north (known as 'q' Celtic), and the modern Brythonic Celtic languages of Wales, Cornwall and Brittany in the south (known as 'p' Celtic). The geographical division between the two was reinforced by the invasion and settlement patterns of first the Romans and then, from the fifth century AD, the Saxons. The Saxon settlement also resulted in large numbers of Brythonic speaking Celts migrating across the sea to the peninsula of Armorica, already a known trading route, taking their name with them and thus founding Brittany. As a result of the now geographical separation of the languages, they began to diverge and grow independently from each other, and became the six Celtic languages that we are familiar with today.
Kernowek yw onan a hwegh tavas Keltek. An r’erel yw Breten, Kembrek, Manowek, Wordhenek ha Godhalek Alban. Yma radn supposya an Geltyon dhe dhos dhe Vreten Veur ha Wordhen dhort dor-bras Europa, ha ganjans aga thavosow a wrug maystri y’n enesow ma. Dew vagas dyffrans a davosow, - neb a veu kelmys an eyl dh’y gila na hwath -, a brovyas dallethvos rag displegyans an tavosow Keltek arnowyth. An eyl yw an bagas a davosow Godhalek yn noor... yn Alban, Wordhen ha Manow (gelwys Keltek ‘q’); y gila yw an bagas a davosow Brythonek yn soth... yn Kembra, Kernow ha Breten Vian (henwys Keltek ‘p’). Diberthva an dhew vagas yn spas an enesow a veu krevhes gen defolyans ha trevesygeth an Romans yn kensa, ha woja hedna an Sowson a dhalathas dhe lesa dhort pempes kansbledhen an Oos Kristyon. Trevesygeth an Sowson a wrug meur a gowsoryon Vrythonek dhe vos tramor dhe’n Arvorek war-lergh an wykoryon kens hedna. I a dhros ganjans aga hanow, yn fundya yndella Breten Vian. An tavosow a dhalathas dhe vos a-les ha tevi der vaner anserhek an eyl dhort y gila drefen anjei dhe vos dyberthys. Jei a dheuth ha bos an hwegh tavas Keltek yw godhvedhys dhyn yn jedh hedhyw.

flowery (adj.) bleuzyowek; floral; flower- patterned bleuzyowus; flowering; in flower bleuzennek, bleujennek; gorliwyz
flowery (adj.) bleuzyowek; floral; flower- patterned bleuzyowus; flowering; in flower bleuzennek, bleujennek; gorliwyz

yn unn berthi avenow po patron bleusyow flowery, floral, flower patterned, patterned, flower
bleusowus

London pattern hammer
/ morthol patron Loundres / / /

patterned ground
/ dor patronys / / /

pink v. p. a hem gwil pilen denjek; trehy der vaner dhenjek; perforate a pattern telly patron; fig. stab, pierce gwana See 'mock'. pinking shears n. gweljow denjek pl.
pink v. p. a hem gwil pilen denjek; trehy der vaner dhenjek; perforate a pattern telly patron; fig. stab, pierce gwana See 'mock'. pinking shears n. gweljow denjek pl.

skantlyn HANOW GOROW skantlyns / HANOW LIESPLEK pattern
skantlyn HANOW GOROW skantlyns / HANOW LIESPLEK pattern

design, pattern, motif;
desin (hanow gorow)

Thinking back, the main topic of conversation with the young ladies had been the aphorisms of Oscar Wilde – a topic with which these middle-class suburban girls seemed entirely unacquainted. Since running into Paul again at University (he was continuing with French), I noted he still had many close friends who were attractive girls. And now I find that he had been attacked in a crypt with Charles while naked. Both he and Charles had been bitten but, unlike every other male I knew that had been bitten, they had both recovered. I decided to explore further. “Paul, you said you became ill after you got bitten?” “Certainly. That’s true. I remember the day after the attack, when we scavenged in the gate-keeper’s house, but nothing after that until yesterday. It was like I was asleep for those days. His Royal Majesty tended to me – or so he says.” “Indeed,” said Charles. “Our court has been much reduced of late and there was need to preserve our standards. The Roundheads press upon us even now, as you have seen for yourself.” Fine. “Did you get sick, too, Charles?” Charles considered his answer. “No, Oliver. We cleaned and bound our wound – just as we had done for Paul – and there was some discomfort but ... no, we did not get ill. On the other hand, we thought Paul had died. He lay there without moving, pale and feverish, for several days. We were in the process of planning a simply wonderful funeral service at St. Patrick’s cathedral when he started to recover. We had the music planned and everything. Mozart’s ‘Requiem’ would have been suitable, don’t you think? Though we know the Pope is not a big fan. In any event, Paul proved to be an ungrateful wretch and, unexpectedly, as we said, started to recover. However, today is the very first day he has really been up and about.” (Paul was, in better times, a reasonable athlete.) So, was there a pattern here?
My a borth kov lemmyn a jyf mater an keskows dhe vos gwirebow Oskar Waylde. Nyns o mater aswonnys mann dhe’n myrghes burjesek ma re dhothya dhiworth an ranndrevow. My re dhothya erbynn Powl unnweyth arta dhe’n Bennskol. Yth esa hwath ow studhya an yeth frynkek ha, dres henna, yth esa hwath dhodho meur a gowethesow teg. Byttegyns, my a’n kavsa lemmyn bos omsettyes, hag ev noeth, yn kleudgell gans Charles. An dhew re via brethys mes, dihaval dhe oll an bolatys erell a wodhvien bos brethys, i re omwellhasa. My a erviras hwithra nebes pella. “’Bowl, ty a leveris ty dhe dhos ha bos klav wosa bos brethys?” “Yn sur. Henn yw gwir. My a borth kov a’n jydh wosa an omsettyans warnav. Yth esen ni ow hwilas y’n ji an porther. Byttegyns, wosa henna, ny allav perthi kov a dravyth bys de. Yth o kepar dell en yn kosk dres an dydhyow na. Y Veuredh Ryel a’m gwitha – po dell leveris.” “Yn hwir,” yn-medh Charles. “Agan lys re via lehes yn feur a-gynsow hag yth esa edhomm dhyn gwitha agan skwirys. Yma an bennow-rond ow hornella hwath warnon ni y’n dydhyow ma kepar dell veu gwelys gans dha dhewlagas dhe honan.” Pur dha. “A wrussowgh mos ha bos klav, agas honan, a Jarles?” Charles a brederis a-dro dh’y worthyp. “Na wrussyn, a Oliver. Ni a lanhes agan goli – kepar dell wrussen rag Powl – hag yth esa dhyn neb digonfort mes ... Na, nyns ethen ha bos klav. Y’n kontrari part, ni a grysi Powl dhe verwel. Yth esa a’y worwedh heb gwayans, gwynn ha terthennek y fas, dres nebes dydhyow. Ni re dhallathsa tewlel oferenn deg ragdho yn Penneglos Sen Padryk pan dhallathas ev omwellhe. Ni re dowlsa an musyk ha puptra oll. Y fia gwiw ‘Requiem’ Mozart, a ny grysydh? (Kyn preder an Pab y vos ansans.) Yn neb kas, y provas Powl bos anfeusik unkinda ha, heb y waytyas, ev a dhallathas omwellhe, dell leversyn ni. Byttegyns, hedhyw yw yn hwir an kynsa dydh y vos strik kepar dell yw herwydh y usadow.” (Powl o athlet da lowr, yn gwella termynyow.) Ytho, esa patron bos kevys omma?

pattern
skantlyn masculine noun skantlyns plural

plait1 (v.) intertwine antrelasa; pletha; intertwine in a pattern platya; plethenna
plait1 (v.) intertwine antrelasa; pletha; intertwine in a pattern platya; plethenna

new pattern centre bit
/ ebil kreshe patron nowydh / / /

Exodus 25 1And the LORD spake unto Moses, saying, 2Speak unto the children of Israel, that they bring me an offering: of every man that giveth it willingly with his heart ye shall take my offering. 3And this is the offering which ye shall take of them; gold, and silver, and brass, 4and blue, and purple, and scarlet, and fine linen, and goats' hair, 5and rams' skins dyed red, and badgers' skins, and shittim wood, 6oil for the light, spices for anointing oil, and for sweet incense, 7onyx stones, and stones to be set in the ephod, and in the breastplate. 8And let them make me a sanctuary; that I may dwell among them. 9According to all that I shew thee, after the pattern of the tabernacle, and the pattern of all the instruments thereof, even so shall ye make it. The Pattern of the Tabernacle 10And they shall make an ark of shittim wood: two cubits and a half shall be the length thereof, and a cubit and a half the breadth thereof, and a cubit and a half the height thereof. 11And thou shalt overlay it with pure gold, within and without shalt thou overlay it, and shalt make upon it a crown of gold round about. 12And thou shalt cast four rings of gold for it, and put them in the four corners thereof; and two rings shall be in the one side of it, and two rings in the other side of it. 13And thou shalt make staves of shittim wood, and overlay them with gold. 14And thou shalt put the staves into the rings by the sides of the ark, that the ark may be borne with them. 15The staves shall be in the rings of the ark: they shall not be taken from it. 16And thou shalt put into the ark the testimony which I shall give thee. 17And thou shalt make a mercy seat of pure gold: two cubits and a half shall be the length thereof, and a cubit and a half the breadth thereof. 18And thou shalt make two cherubims of gold, of beaten work shalt thou make them, in the two ends of the mercy seat. 19And make one cherub on the one end, and the other cherub on the other end: even of the mercy seat shall ye make the cherubims on the two ends thereof. 20And the cherubims shall stretch forth their wings on high, covering the mercy seat with their wings, and their faces shall look one to another; toward the mercy seat shall the faces of the cherubims be. 21And thou shalt put the mercy seat above upon the ark; and in the ark thou shalt put the testimony that I shall give thee. 22And there I will meet with thee, and I will commune with thee from above the mercy seat, from between the two cherubims which are upon the ark of the testimony, of all things which I will give thee in commandment unto the children of Israel. 23Thou shalt also make a table of shittim wood: two cubits shall be the length thereof, and a cubit the breadth thereof, and a cubit and a half the height thereof. 24And thou shalt overlay it with pure gold, and make thereto a crown of gold round about. 25And thou shalt make unto it a border of an hand breadth round about, and thou shalt make a golden crown to the border thereof round about. 26And thou shalt make for it four rings of gold, and put the rings in the four corners that are on the four feet thereof. 27Over against the border shall the rings be for places of the staves to bear the table. 28And thou shalt make the staves of shittim wood, and overlay them with gold, that the table may be borne with them. 29And thou shalt make the dishes thereof, and spoons thereof, and covers thereof, and bowls thereof, to cover withal: of pure gold shalt thou make them. 30And thou shalt set upon the table shewbread before me alway. 31And thou shalt make a candlestick of pure gold: of beaten work shall the candlestick be made: his shaft, and his branches, his bowls, his knops, and his flowers, shall be of the same. 32And six branches shall come out of the sides of it; three branches of the candlestick out of the one side, and three branches of the candlestick out of the other side: 33three bowls made like unto almonds, with a knop and a flower in one branch; and three bowls made like almonds in the other branch, with a knop and a flower: so in the six branches that come out of the candlestick. 34And in the candlestick shall be four bowls made like unto almonds, with their knops and their flowers. 35And there shall be a knop under two branches of the same, and a knop under two branches of the same, and a knop under two branches of the same, according to the six branches that proceed out of the candlestick. 36Their knops and their branches shall be of the same: all it shall be one beaten work of pure gold. 37And thou shalt make the seven lamps thereof: and they shall light the lamps thereof, that they may give light over against it. 38And the tongs thereof, and the snuffdishes thereof, shall be of pure gold. 39Of a talent of pure gold shall he make it, with all these vessels. 40And look that thou make them after their pattern, which was shewed thee in the mount.
AN BIBEL KERNEWEK 2020 Eksodus 25 Rohow dhe'n Tabernakel 1An ARLOEDH a leveris dhe Moyses, 2Kows orth mebyon Ysrael may trollons offrynn dhymm; a bub den bolonjedhek yn y golonn ty a wra degemmeres an offrynn dhymm. 3Ha hemm yw an offrynn a dhegemmerydh anedha: owr, arghans, ha brons, 4pann glas ha purpur ha kogh, sendal, ha blew gever, 5kreghyn rudhhes a hordhes, kreghyn morhoghes ha prenn shittim, 6oyl dhe'n lugern, spisyow rag oyl an untyans ha'n ynkys hweg, 7meyn onyks, ha meyn rag desedha y'n efod hag y'n lurik. 8Ha gas i dhe wul dhymm sentri may trikkiv yn aga mysk. 9Herwydh pup-tra a dhiskwedhav dhis a-dro dhe batron an tabernakel, ha'y vebel, yndella ty a'n gwra. Argh an Dustuni 10I a wra argh a brenn shittim; dew gevelin ha hanter a vydh hy hys, kevelin ha hanter hy les, ha kevelin ha hanter hy ughelder. 11Ha ty a wra hy gorowra gans owr pur, a-ji hag a-ves ty a wra hy gorowra, ha ty a wra gorra kylgh owr a-dro dhedhi. 12Ha ty a wra teudhi rygdhi peder lagasenn owr ha'ga gorra war hy feswar troes, diw lagasenn a'n eyl tu dhedhi, ha diw lagasenn a'y gila. 13Ha ty a wra gwelynni a brenn shittim ha'ga gorowra. 14Ha ty a worr an gwelynni a-ji dhe'n lagasennow war denwennow an argh, dredha dhe dhoen an argh. 15An gwelynni a wra gortos yn lagasennow an argh; ny vydhons kemmerys dhiworti. 16Hag y'n argh ty a wra gorra an dustuni a rov dhis. 17Ena ty a wra tregeredhva a owr pur, dew gevelin ha hanter a vydh hy hys, ha kevelin ha hanter hy les. 18Ha ty a wra dew jerub a owr; a vortholweyth ty a's gwra, dhe dhew benn an dregeredhva. 19Gwra unn cherub dhe'n eyl penn hag unn cherub dh'y gila; yn unn rann gans an dregeredhva ty a wra an jerubim dh'y dhew benn. 20An jerubim a wra lesa aga eskelli war-vann, ow korskeusi an dregeredhva gans aga eskelli, aga fas an eyl war-tu ha'y gila; war-tu ha'n dregeredhva y fydh fasow an jerubim. 21Ha ty a wra gorra an dregeredhva war an argh; hag y'n argh, ty a wra gorra an dustuni a rov dhis. 22Ena my a wra metya genes, hag a-ugh an dregeredhva, ynter an dhew jerub usi war argh an dustuni, my a gews genes a-dro dhe bup-tra a worhemmynnav dhis rag mebyon Ysrael. Moes an Bara 23Ha ty a wra moes a brenn shittim; dew gevelin a vydh hy hys, kevelin hy les, ha kevelin ha hanter hy ughelder. 24Ty a wra hy gorowra gans owr pur, ha gul kylgh a owr a-dro dhedhi. 25Ha ty a wra a-dro dhedhi fram, dornva y hys, ha gul kylgh a owr a-dro dhe'n fram. 26Ha ty a wra rygdhi peder lagasenn a owr, ha kelmi an lagasennow dhe'n beder kornell orth y beder garr. 27Ogas dhe'n fram y hwra growedha an lagasennow avel dalghennow dhe'n gwelynni rag doen an voes. 28Ty a wra an gwelynni a brenn shittim, ha'ga gorowra gans owr, ha'n voes a vydh degys dredha. 29Ha ty a wra hy flatyow ha'y skudellow ha'y hostrels ha'y bollow dhe dhiveri offrynnow diwes; a owr pur ty a's gwra. 30Ha ty a wra settya bara an wolok war an voes a-ragov pup-prys. An Kantoler 31Ha ty a wra dhymm kantoler a owr pur. Troes ha gwelenn an kantoler a vydh gwrys a vortholweyth; y hanafow, y dalbennow, ha'y vleujennow a vydh unn rann ganso, 32hag y fydh hwegh skorrenn ow mos yn-mes a'y denwennow, teyr skorrenn an kantoler yn-mes a unn tenewen anodho ha teyr skorrenn an kantoler yn-mes a'n tenewen arall; 33tri hanaf gwrys avel alamandow, peub gans talbenn ha bleujenn, war an unn skorrenn, ha tri hanaf gwrys avel alamandow, peub gans talbenn ha bleujenn, war an skorrenn arall – hag yndella dhe'n hwegh skorrenn ow mos yn-mes a'n kantoler; 34ha war an kantoler y honan peswar hanaf gwrys avel alamandow, ha gansa aga thalbennow ha'ga bleujennow; 35y fydh talbenn a unn rann ganso yn-dann an kynsa par a skorrennow, talbenn a unn rann ganso yn-dann an nessa par a skorrennow ha talbenn a unn rann ganso yn-dann an diwettha par a skorrennow, rag an hwegh skorrenn ow mos yn-mes a'n kantoler. 36Aga thalbennow ha'ga skorrennow a vydh unn rann ganso, an oll anodho unn rann a vortholweyth a owr pur. 37Ha ty a wra an seyth lugarn ragdho; ha'n lugern a vydh settys may rollons golow war an spas a-ragdho. 38Y evelyow ha'y badellow-tan a vydh a owr pur. 39A dalent a owr pur y fydh gwrys, gans oll an daffar ma. 40Ha gwayt aga gul war-lergh an patron ragdha, a veu diskwedhys dhis war an menydh.

(adj.) yn-unn berthi avenow po patron bleuzyow flowery, floral, flower-patterned, patterned, flower
bleuzowus