romantic oor Kornies
romantic
en
(chiefly historical) Of a work of literature, a writer etc.: being like or having the characteristics of a romance, or poetic tale of a mythic or quasi-historical time; fantastic. [from 17th c.]
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romansek
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Romantic
en
Of or pertaining to Romance.
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romantic a. romantek nc
Yth esa marth dhedhi ynwedh.langbot langbot
romantic
My a red y lyver.langbot langbot
Cornwall is variously referred to as a duchy, region, sub-region, county3, as a perpetual destination. This is an outsider view of ‘other’ that attracts visitors in their droves, a place-myth based upon ‘picturesque romanticization’ (Moseley 2018, p.110) conjured by a hundred unhindered years of romantic travelogue, period drama location and seasonal tourism journalism. Often Cornish production is seen through the prism of its history or its landscape as backdrop. Some local producers indicated that there was place for modern storytelling and for connecting with other Celtic cultures, such as Wales or Brittany. Cornwall has been granted minority status within the UK but it remains an open question as to whether there is a market for such filmed Cornish storytelling both within and without CIOS4 (Saffery Champness 2018, p.55).
An re na yw keun Tom.langbot langbot
loving (adj.) affectionate karadow; humane kerenzedhek; romantic; amorous konversek
Piw owgh?langbot langbot
romantic
Nyns ov dha vab.langbot langbot
boyfriend regular male companion in a romantic or sexual relationship; sweetheart; lover keryaz, karer, polat, melder, hwegoll; date tommargher; suitor or wooer tanter steady ~ 1 young man den- yowynk; 2 a suitor devnydh-priez; b fiance maw-ambozyz
Nyns yw res dhis mos.langbot langbot
subjective (adj.) 1 based on personal feelings, tastes, or opinions a intuitive; personal ergorek; b sentimental; romantic romantek; 2 dependent on the mind for existence; imagined sojetus
My a bon.langbot langbot
At the end of the Christmas term, our primary school teacher, Miss Pascoe, an unmarried, middle-aged lady of stern appearance, with a hairy chin, black hair severely scraped back and large low-slung bosoms, suddenly displayed an unsuspected romantic side to her nature. Unaccountably, she decided to pair up the boys and girls for the Christmas party.
Prag y fynn'ta prena an lyver ma?langbot langbot
Cornwall is variously referred to as a duchy, region, sub-region, county, as a perpetual destination. This is an outsider view of ‘other’ that attracts visitors in their droves, a place-myth based upon ‘picturesque romanticization’ (Moseley 2018, p.110) conjured by a hundred unhindered years of romantic travelogue, period drama location and seasonal tourism journalism. Often Cornish production is seen through the prism of its history or its landscape as backdrop. Some local producers indicated that there was place for modern storytelling and for connecting with other Celtic cultures, such as Wales or Brittany. Cornwall has been granted minority status within the UK but it remains an open question as to whether there is a market for such filmed Cornish storytelling both within and without CIOS4 .
Yma nown bras dhymm.langbot langbot
romantic
An ydhyn a gana.langbot langbot
date4 (n.) 1 a assignation; appointment staser; b rendezvous; engagement dydhvetyanz; c romantic appointment; assignation tommargh; 2 person with one whom one has assignation staseryades, staseryaz a such a person, where there is a romantic interest i boyfriend tommargher; ii girlfriend tommarghores
Res yw dhymm godhvos.langbot langbot
idolater (n.) heathen pagan, paganes idyllic (adj.) romantic; fairy-tale romansek if (bas.) (bas.) mar, marz
Nyns eus owraval war an voos.langbot langbot
romantic
Res yw dhis dalleth skon.langbot langbot
sentimental (adj.) romantic; subjective romantek
Ny wor Maria tra vyth.langbot langbot
romantic
Lowen yw hi.langbot langbot
Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama.
Kows yn lent!langbot langbot
girlfriend (n.) regular female companion in a romantic or sexual relationship; bird; girlfriend keryades, karores, melder, hwegoll; date tommarghores; mistress kowethes-gweli steady ~ young lady; benyn-yowynk; fiancee; intended devnydh-priez, mowes-ambozyz
A wra glaw hedhyw?langbot langbot
romantic
Yth esov vy owth assaya praktisya.langbot langbot
romantic
Yth esen vy ow redya lyver.langbot langbot
romantic (adj.) favouring mediaeval or ancient settings, and portraying feats of adventure, love, and courage; idyllic; fairy-tale romansek; characterized by individuality, subjectivity, and inspiration; sentimental; subjecive romantek; loving; amorous konversek
My a gerdh.langbot langbot
Two of my senses (sight and hearing) were temporarily knocked out but my sense of smell remained intact. That sense almost immediately was, in turn, overwhelmed by the pungent stench of gasoline-laden soot filling the air. Now the military was using napalm, or jellied gasoline, on us! The jet had screamed low over the zombie-filled oval and dumped a single bomb, filled with napalm. (I didn’t get to see the billowing, black mushroom cloud it must have made.) Many of the undead were destroyed instantly. Others, a bit further from the massive blast, were ablaze, running in all directions like so many ancient torches. Still others, even further away, had been splashed by the jellied petrol and suffered serious burns (and were still smouldering). Was it one of ours – a Mirage – or had the Yanks already arrived with F4 Phantoms? I wasn’t sure if a French-made Mirage could deliver a napalm weapon. Napalm wasn’t much favoured by the Aussies in Vietnam but I knew that a Phantom could do the job. This was, of course, an idle speculation on my part since I’d seen precious little of the plane that had stooped out of the night sky and delivered ‘Hell-in-a-Tincan’ to us. It might as well have been a Tiger Moth or a Spitfire. I’d seen this sort of thing on newsreels from the Vietnam War. I confess that I had been more upset by the incineration of living men, women and children – mostly civilians – than by the horror that was now unfolding before me. Still, the high-pitched wailing of hundreds of incandescent zombies is something I’m unlikely ever to forget. Sight and hearing came back to me by degrees. The afterimage of the flash and the loud ringing in my ears were persistent. However, I soon had enough senses about me to continue to put ‘Plan B’ into effect. Poor Meryl had been a resident of St. Hilda’s college. She and a friend had shown me around the place – and generously invited me to partake of the college dinner with them. (Little wonder, now that I think about it, that I naively thought she might be romantically interested in me. But, no, she was just a nice, country girl being friendly.)
Yma tybyans da dhymm.langbot langbot
amorous (adj.) amatory sergholus; passionate amourus; loving; romantic konversek
Fatla genowgh hwi hedhyw?langbot langbot
romantic
Koth, hager ha tew yw.langbot langbot
romantic
Euthyk yw an gewer.langbot langbot
Cornwall is a Nation. Cornwall is a Nation. Kernewek, the Cornish language, is recognised as a minority language under the European Charter for Regional or Minority Languages (ECRML, 2003). It was reclassified by UNESCO in 2010 as ‘critically endangered’ and in the process of revitalisation, with the number of people taking a Cornish language exam with the Cornish Language Board KESVA averaging 18% YOY growth from 2016–20181, bucking the worldwide trend of diminishing linguistic diversity. Cornish is a living, growing language. The decision to recognise the unique identity of the Cornish, now affords them the same status under the FCPNM2 as the UK’s other Celtic people, the Scots, the Welsh and the Irish (UK Government, 2014). The Cornish have their own stories to tell, that should be told in their own voices: a proud history and unique culture, a distinctive language, a demanding present and an inventive future. A particular perspective on the world that is shared by families and communities in pubs, social clubs, village halls, with theatre and music, at feasts and festivals around the year, the length and breadth of Kernow. But to an outside eye, Cornish culture is practically invisible, and where it is visible, it is diminished to a ‘local curiosity’ to view as part of the commodified Cornish lifestyle or visitor experience. Cornwall is variously referred to as a duchy, region, sub-region, county3, as a perpetual destination. This is an outsider view of ‘other’ that attracts visitors in their droves, a place-myth based upon ‘picturesque romanticization’ (Moseley 2018, p.110) conjured by a hundred unhindered years of romantic travelogue, period drama location and seasonal tourism journalism. Often Cornish production is seen through the prism of its history or its landscape as backdrop. Some local producers indicated that there was place for modern storytelling and for connecting with other Celtic cultures, such as Wales or Brittany. Cornwall has been granted minority status within the UK but it remains an open question as to whether there is a market for such filmed Cornish storytelling both within and without CIOS4 (Saffery Champness 2018, p.55). The sanctioned narrator, the external voice of authority, tells the Cornish who they are, defines the terms of their existence, that they don’t really exist (Daily Mail, 2010), that they’re so lucky to live in such a beautiful part of the world. Beyond the ‘colonial, appropriating tourist gaze’ (Moseley 2018, p.193), in an encountering with a view wider than a postcard, a divergent economic reality is revealed: smart energy farms, the housing crisis, digital tech clusters, indices of multiple deprivation, the space industry... bringing into focus a far more complex picture than ‘pasties and cream’ Cornwall. The Council of Europe Advisory Committee Fourth Opinion on the implementation of the FCPNM by the United Kingdom adopted on 25 May 2016 highlights this indictment, that: so far the BBC has tended to group Cornwall as part of South West England and in an arbitrary manner blending out Cornish issues... The Advisory Committee regrets the minimal profile of Cornish on mainstream media. The 5 minutes a week of Cornish programmes broadcast by the BBC on Radio Cornwall was criticised by interlocutors as being totally insufficient – in terms of style, content and length (Council of Europe 2017, p.31) In the BBC Royal Charter’s General Duties (14) Diversity section (5) of 2016 it states ‘The BBC must support the regional and minority languages5 of the United Kingdom through its output and services and through partnerships with other organisations’ (DCMS, 2016).
Yw res dhymm diwiska?langbot langbot
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