Fellini oor Masedonies
Fellini
en
Italian filmmaker (1920-1993)
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Establishing a close working relationship with Alberto Lattuada, Fellini co-wrote the director's Senza pietà (Without Pity) and Il mulino del Po (The Mill on the Po).
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In July 1991 and April 1992, Fellini worked in close collaboration with Canadian filmmaker Damian Pettigrew to establish "the longest and most detailed conversations ever recorded on film".
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Under the title, I disegni di Fellini (Fellini's Designs), he published 350 drawings executed in pencil, watercolours, and felt pens.
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Italian director Federico Fellini won the first foreign language film Academy Award with La Strada and garnered another Academy Award with Nights of Cabiria.
Тоа не е вистинска љубовWikiMatrix WikiMatrix
Described as the "Maestro's spiritual testament” by his biographer Tullio Kezich, excerpts culled from the conversations later served as the basis of their feature documentary, Fellini: I'm a Born Liar (2002) and the book, I'm a Born Liar: A Fellini Lexicon.
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In the 1950s, Cinecittà was the filming location for several large American film productions, and subsequently became the studio most closely associated with Federico Fellini.
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Long fascinated by Carlos Castaneda’s The Teachings of Don Juan: A Yaqui Way of Knowledge, Fellini accompanied the Peruvian author on a journey to the Yucatán to assess the feasibility of a film.
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Deciding on a career as a caricaturist and gag writer, Fellini travelled to Florence in 1938, where he published his first cartoon in the weekly 420.
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Changing the title of the screenplay to La Dolce Vita, Fellini soon clashed with his producer on casting: the director insisted on the relatively unknown Mastroianni while De Laurentiis wanted Paul Newman as a hedge on his investment.
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Fellini died in Rome on 31 October 1993 at the age of 73 after a heart attack he suffered a few weeks earlier, a day after his fiftieth wedding anniversary.
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God, this whole night has felt like a bad Fellini film.
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In 1947, Fellini and Sergio Amidei received an Oscar nomination for the screenplay of Rome, Open City.
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Within a decade he became a major international celebrity, starring in Big Deal on Madonna Street (1958); and in Federico Fellini's La Dolce Vita opposite Anita Ekberg in 1960, where he played a disillusioned and self-loathing tabloid columnist who spends his days and nights exploring Rome's high society.
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Fellini won the Praemium Imperiale, the equivalent of the Nobel Prize in the visual arts, awarded by the Japan Art Association in 1990.
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While preparing Nights of Cabiria in spring 1956, Fellini learned of his father’s death by cardiac arrest at the age of sixty-two.
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The apolitical Fellini was finally freed of the draft when an Allied air raid over Bologna destroyed his medical records.
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Under pressure from his producers, Fellini finally settled on 81⁄2, a self-referential title referring principally (but not exclusively) to the number of films he had directed up to that time.
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Fellini also worked with Rossellini on the anthology film L'Amore (1948), co-writing the screenplay and in one segment titled, "The Miracle", acting opposite Anna Magnani.
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Producer Carlo Ponti commissioned Fellini and Tullio Pinelli to write the script but Antonioni rejected the story they developed.
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In October 2009, the Jeu de Paume in Paris opened an exhibit devoted to Fellini that included ephemera, television interviews, behind-the-scenes photographs, Book of Dreams (based on 30 years of the director's illustrated dreams and notes), along with excerpts from La dolce vita and 81⁄2.
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Polish director Wojciech Has, whose two best-received films, The Saragossa Manuscript (1965) and The Hour-Glass Sanatorium (1973), are examples of modernist fantasies, has been compared to Fellini for the sheer "luxuriance of his images".
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Fellini directed La Strada based on a script completed in 1952 with Pinelli and Flaiano.
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At an exclusive Milan screening on 5 February 1960, one outraged patron spat on Fellini while others hurled insults.
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As well, audiences were becoming aware of Italian films like Federico Fellini's La Dolce Vita and the stark dramas of Sweden's Ingmar Bergman.
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His father, Urbano Fellini (1894–1956), born to a family of Romagnol peasants and small landholders from Gambettola, moved to Rome in 1915 as a baker apprenticed to the Pantanella pasta factory.
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