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Hokusai

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Japanese painter whose work influenced the impressionists (1760-1849)

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In 1820, Hokusai changed his name yet again, this time to "Iitsu," a change which marked the start of a period in which he secured fame as an artist throughout Japan.
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In the postscript to this work, Hokusai writes: From the age of six, I had a passion for copying the form of things and since the age of fifty I have published many drawings, yet of all, I drew by my seventieth year there is nothing worth taking into account.
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By 1800, Hokusai was further developing his use of ukiyo-e for purposes other than portraiture.
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1807 saw Hokusai collaborate with the popular novelist Takizawa Bakin on a series of illustrated books.
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Shunshō was an artist of ukiyo-e, a style of woodblock prints and paintings that Hokusai would master, and head of the so-called Katsukawa school.
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Hokusai's name changes are so frequent, and so often related to changes in his artistic production and style, that they are used for breaking his life up into periods.
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In 1839, a fire destroyed Hokusai's studio and much of his work.
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Hokusai also changed the subjects of his works, moving away from the images of courtesans and actors that were the traditional subjects of ukiyo-e.
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In 1798, Hokusai passed his name on to a pupil and set out as an independent artist, free from ties to a school for the first time, adopting the name Hokusai Tomisa.
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In 1811, at the age of 51, Hokusai changed his name to Taito and entered the period in which he created the Hokusai Manga and various etehon, or art manuals.
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Berlioz's " Harold in Italy, " movies like " The Wizard of Oz " or the plays of Chekhov, a central California landscape, a Hokusai view of Mt.
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Hokusai also executed erotic art, called Shunga in Japanese.
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It was at this time that Hokusai produced One Hundred Views of Mount Fuji, another significant landscape series.
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But Hokusai never stopped painting and completed Ducks in a Stream at the age of 87.
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Hokusai had a long career, but he produced most of his important work after age 60.
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Hokusai began painting around the age of six, perhaps learning from his father, whose work on mirrors included a painting of designs around mirrors.
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After a year, Hokusai's name changed for the first time, when he was dubbed Shunrō by his master.
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This change of subject was a breakthrough in ukiyo-e and in Hokusai's career.
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The first book of Hokusai's manga, sketches or caricatures that influenced the modern form of comics known by the same name, was published in 1814.
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Hokusai's painting, created in front of the Shōgun, consisted of painting a blue curve on paper, then chasing across it a chicken whose feet had been dipped in red paint.
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The publisher, given the choice between keeping Hokusai or Bakin on the project, opted to keep Hokusai, emphasizing the importance of illustrations in printed works of the period.
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Hokusai was known by at least thirty names during his lifetime.
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Upon the death of Shunshō in 1793, Hokusai began exploring other styles of art, including European styles he was exposed to through French and Dutch copper engravings he was able to acquire.
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During the decade he worked in Shunshō's studio, Hokusai was married to his first wife, about whom very little is known except that she died in the early 1790s.
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He had also adopted the name he would most widely be known by, Katsushika Hokusai, the former name referring to the part of Edo where he was born and the latter meaning, 'north studio'.
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