conceptual art oor Masedonies

conceptual art

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A genre of art in which the transmission of ideas is more important than the creation of an art object

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The work is considered an important precursor to conceptual art.
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In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
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Conceptual art is sometimes labelled as postmodern because it is expressly involved in deconstruction of what makes a work of art, "art".
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Other modern movements cited as influential to postmodern art are conceptual art and the use of techniques such as assemblage, montage, bricolage, and appropriation.
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Duchamp can be seen as a precursor to conceptual art, other famous examples being John Cage's 4'33", which is four minutes and thirty three seconds of silence, and Rauschenberg's Erased de Kooning Drawing.
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Many conceptual works take the position that art is the result of the viewer viewing an object or act as art, not of the intrinsic qualities of the work itself.
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An important series of movements in art which have consistently been described as postmodern involved installation art and creation of artifacts that are conceptual in nature.
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By the early 1980s the Postmodern movement in art and architecture began to establish its position through various conceptual and intermedia formats.
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In the 1990s, various approaches in cognitive science that dealt with metaphor, analogy, and structure mapping have been converging, and a new integrative approach to the study of creativity in science, art and humor has emerged under the label conceptual blending.
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Answering a koan requires a student to let go of conceptual thinking and of the logical way we order the world, so that, like creativity in art, the appropriate insight and response arises naturally and spontaneously in the mind.
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While the theory of combining multiple arts into one art is quite old, and has been revived periodically, the postmodern manifestation is often in combination with performance art, where the dramatic subtext is removed, and what is left is the specific statements of the artist in question or the conceptual statement of their action.
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