post-punk oor Masedonies
post-punk
en
After the punk movement.
Vertalings in die woordeboek Engels - Masedonies
Пост-панк
en
music genre
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One source states that moshing “developed in the mid-Eighties in post-punk clubs in the US.
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In 1979, PiL recorded the post-punk classic Metal Box.
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Public Image Limited is considered the first post-punk group.
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This represented a sharp break from the futuristic, hyper rational post-punk years.
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No wave was a subgenre of post-punk centered in New York City.
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Alternative bands were linked by their collective debt to punk rock, through hardcore, New Wave or the post-punk movements.
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Hippie ideals had a marked influence on anarcho-punk and some post-punk youth subcultures, especially during the Second Summer of Love.
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In the early 2000s the dance-punk (new rave in the United Kingdom) emerged as a part of a broader post punk revival.
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The post-punk movement that originated in the late 1970s both supported punk rock's rule breaking while rejecting its move back to raw rock music.
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Musicians identifying with or inspired by punk also pursued a broad range of other variations, giving rise to New wave, post-punk and the alternative rock movement.
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According to one former DJ and promoter, "Somehow this term 'alternative' got rediscovered and heisted by college radio people during the 80s who applied it to new post-punk, indie, or underground-whatever music".
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In the late 1970s, the subculture began to diversify, which led to the proliferation of factions such as new wave, post-punk, 2 Tone, pop punk, hardcore punk, no wave, street punk and Oi!.
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Although they began their career as "a group of art school, experimental, post punk rockers," the band's quick rise to stardom, polished good looks and embrace of the teen press almost guaranteed disfavour from music critics.
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During the late 1990s and early 2000s, several alternative rock bands emerged, including The Strokes, Franz Ferdinand, Interpol and The Rapture that drew primary inspiration from post-punk and new wave, establishing the post-punk revival movement.
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The Eno-Talking Heads experimentation continued with 1979's Fear of Music, which flirted with the darker stylings of post-punk rock, mixed with white funkadelia and subliminal references to the geopolitical instability of the late 1970s.
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The first wave of British post-punk included Gang of Four, Siouxsie and the Banshees and Joy Division, who placed less emphasis on art than their US counterparts and more on the dark emotional qualities of their music.
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U2's sound began with post-punk roots and minimalistic and uncomplicated instrumentals heard on Boy and October, but evolved through War to include aspects of rock anthem, funk, and dance rhythms to become more versatile and aggressive.
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John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by ... emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s."
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Morrissey's songwriting was influenced by punk rock and post-punk bands such as New York Dolls, the Cramps, the Specials and the Cult, along with 1960s girl groups and singers such as Dusty Springfield, Sandie Shaw, Marianne Faithfull and Timi Yuro.
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In 1981 ZE Records led the transition from no wave into the more subtle mutant disco (post-disco/punk) genre.
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At times, "alternative" has been used as a catch-all description for music from underground rock artists that receives mainstream recognition, or for any music, whether rock or not, that is seen to be descended from punk rock (including some examples of punk itself, as well as new wave, and post-punk).
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Although many post-punk bands continued to record and perform, it declined as a movement in the mid-1980s as acts disbanded or moved off to explore other musical areas, but it has continued to influence the development of rock music and has been seen as a major element in the creation of the alternative rock movement.
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Dance-punk, mixing post-punk sounds with disco and funk, had developed in the 1980s, but it was revived among some bands of the garage rock/post-punk revival in the early years of the new millennium, particularly among New York acts such as Liars, The Rapture and Radio 4, joined by dance-oriented acts who adopted rock sounds such as Out Hud.
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This is most common in the post-1980s US hardcore punk scene, where members of the subculture often dressed in plain T-shirts and jeans, rather than the more elaborate outfits and spiked, dyed hair of their British counterparts.
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