Cole Porter oor Noorse Bokmål

Cole Porter

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United States composer and lyricist of musical comedies (1891-1946)

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Cole Porter

So, Cole, you weren't by any chance named after the great Cole Porter?
Så, Cole, du er vel ikke tilfeldigvis oppkalt etter den store Cole Porter?
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Wasn't Cole Porter a Whiffenpoof?
Det var da jeg skjønte... at jeg skulle tilbringe resten av livet med hamOpenSubtitles2018.v3 OpenSubtitles2018.v3
Rogers and The Sons of the Pioneers perform songs, including the Cole Porter title tune.
Og det er det sombetyr noeWikiMatrix WikiMatrix
Anything goes.” —Words by American lyricist Cole Porter, 1934.
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She was able though to sing two Cole Porter tunes in the film.
Saruman er vei for å hente ringenWikiMatrix WikiMatrix
What ever happened to Cole Porter and Irving Be93 - - 00:37:42,881 They're not so bad
Det er da en seier, MartinOpenSubtitles2018.v3 OpenSubtitles2018.v3
The song is also used in the Cole Porter musical High Society.
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The episode title My Heart Belongs to Daddy comes from the Cole Porter musical, Leave it to Me.
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In 1960 it was also included in the film version of Cole Porter's Can-Can.
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It wasn't Cole Porter.
Kun arvingen ville kunne åpne kammeret...... og utfri redselen, som var lukket inne...... og befri skolen for alle dem...... som ifølge Slytherin, ikke var verdege til å studere magiOpenSubtitles2018.v3 OpenSubtitles2018.v3
David Byrne recorded a version for the 1990 Cole Porter tribute album entitled Red Hot + Blue.
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Cole Porter is an old jazz musician.
Han er studentLiterature Literature
A Cole Porter CD.
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So, Cole, you weren't by any chance named after the great Cole Porter?
Det eneste hun fant der, var et varmt bad og et kaldt barberbladOpenSubtitles2018.v3 OpenSubtitles2018.v3
Sounds like Cole Porter to me, sir
Så vi har dårlig tidopensubtitles2 opensubtitles2
West has been the subject of songs, including the title song of Cole Porter's Broadway musical Anything Goes and in "You're the Top".
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These words of Cole Porter’s lilting song well express the common and ancient belief that man’s future is somehow related to the stars.
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Cole Porter, who had been asked to write a cowboy song for the 20th Century Fox musical, bought the poem from Fletcher for $250.
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"C'est Magnifique" ("It's Magnificent") is a 1953 popular song written by Cole Porter for his 1953 musical Can-Can, where it was introduced by Lilo and Peter Cookson.
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"It's All Right With Me" is a popular song written by Cole Porter, for his 1953 musical Can-Can, where it was introduced by Peter Cookson as the character Judge Aristide Forestier.
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"Let's Do It, Let's Fall in Love" (also known as "Let's Do It (Let's Fall in Love)" or simply "Let's Do It") is a popular song written in 1928 by Cole Porter.
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" what's mine is thine, what's thine is mine, " the kind of mindset that operates within a family, for example; dominance, whose principle is " don't mess with me; " reciprocity, " you scratch my back, I'll scratch yours; " and sexuality, in the immortal words of Cole Porter, " Let's do it. "
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Other Broadway appearances included The Garrick Gaieties (1925), Merry-Go-Round (1927), Rainbow (1928), Ned Wayburn's Gambols (1929), Revenge with Music (1934), You Never Know (1938, score by Cole Porter), during which production she had a strong rivalry with the tempestuous Mexican actress Lupe Vélez; and her self-produced one-woman revue Blues, Ballads and Sin-Songs (1954).
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Starting in 1942, producer Mike Todd cast him in five Broadway shows, all of them successful: the musical revue Star and Garter with Gypsy Rose Lee (1942–43); the Cole Porter musical Mexican Hayride (1944–45); Molière’s The Would-Be Gentleman (1946); and the revues As the Girls Go (1948) and Michael Todd's Peep Show (1950).
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The song was the subject of a column by Sigmund Spaeth, who suggested that the melody could have been derived from a combination of parts of other songs, including the "Hallelujah Chorus" from Messiah by Handel, "My Bonnie Lies Over The Ocean", "I Dreamt I Dwelt in Marble Halls", "Aunt Dinah's Quilting Party", and Cole Porter's "An Old-Fashioned Garden".
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There's an influential taxonomy by the anthropologist Alan Fiske, in which relationships can be categorized, more or less, into communality, which works on the principle "what's mine is thine, what's thine is mine," the kind of mindset that operates within a family, for example; dominance, whose principle is "don't mess with me;" reciprocity, "you scratch my back, I'll scratch yours;" and sexuality, in the immortal words of Cole Porter, "Let's do it."
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