Gregori Warchavchik oor Portugees

Gregori Warchavchik

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Gregori Warchavchik

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Some of the original houses near the square were refurbished by modernist architects like Lucio Costa and Gregori Warchavchik, using original materials authentic to the colonial era salvaged from demolition projects around the city.
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Among them, a great discovery, the residence of the Avenida Sampaio Vidal, designed by Gregori Warchavchik.
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designed by architect Gregori Warchavchik and built in 1928, is considered the first modernist building in Brazil.
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· Tropicalism and (in)discipline: Gregori Warchavchik and Wladimiro Acosta
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It was built by Russian-born Gregori Warchavchik in 1928, who is considered the pioneer of Brazilian modernist architecture.
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This study focuses on the (architectural) relations between Gregori Warchavchik and Wladimiro Acosta, giving close attention to minor aspects of their early works.
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Segall returns to Brazil in 1932, settling permanently in São Paulo in a house designed by his brother-in-law, the modernist architect, Gregori Warchavchik.
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It is housed in the artist's former residence and studio, designed in 1932 by his wife's brother-in-law, the Russian-born architect, Gregori Warchavchik.
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Gregori Warchavchik, the first architect to build modern architecture works in Brazil, in 1928, complained about the lack of industrialized material available in the market.
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It is housed in the former residence and studio of the artist, designed in 1932 by his familiar, the architect of Russian origin Gregori Warchavchik.
É nas regiões e nos municípios que as decisões devem ser aplicadas e o acervo ambiental implementado na prática.ParaCrawl Corpus ParaCrawl Corpus
The book contains images of real masterpieces translated into furniture, conceived by artists and designers like Gregori Warchavchik, Lucio Costa, Oscar Niemeyer, and Abraham Palatnik, among others.
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Architect graduated from the National Academy in Rio de Janeiro, he was contemporary and worked with names such as Olavo Redig de Campos, Lúcio Costa, Gregori Warchavchik and Lina Bo Bardi.
Em caso de gestão descentralizada, de acordo com o artigo #.o, o coordenador nacional do IPA institui um comité de acompanhamento sectorial no que diz respeito à componente assistência à transição e desenvolvimento institucional, designado seguidamente comité ATDIParaCrawl Corpus ParaCrawl Corpus
The building, designed by the Polish architect Lucjan Korngold in 1951, has a display on the 6th floor of the original interior design by Gregori Warchavchik, a pioneer in Brazil ́s modern architecture.
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Besides the beautiful design of Gregori Warchavchik, one of the leading names of the first generation of modernist architects in the country, it has a garden designed by Brazilian landscape architect Mina Klabin.
Na investigação de outros casos do Padrão, encontramos várias clínicas.Fora da rede de operações, que ganharam clientes alegando as mesmas coisas que se vê na TV às #h da manhãParaCrawl Corpus ParaCrawl Corpus
Pontifical The Nordschild House (1931), the first work of the architect Gregori Warchavchik in Rio de Janeiro, occupies a place, in the history of modern Brazilian architecture, which has oscilated between memory and forgetfulness.
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1907, studied and worked in Milan and Rome with Adalberto Libera and Marcello Piacentini, also becoming acquainted with Gregori Warchavchik, who designed what is regarded as the first modern building in South America, in São Paulo to be precise.
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Projected for architects Franz Heep, Gio Ponti and Gregori Warchavchik, the idealização of the building was the position of the Italian colony in São Paulo, whose headquarters already were placed in the land where it are constructed one of the biggest examples of vertical architecture of the Country.
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Infinite Span is held for the first time in Brazil and brings together works ranging from the Modernist House of Gregori Warchavchik to movements linked to the “Right to the City” and the tangle of collectives and occupations that discuss the subject of housing in the years 2010.
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If, in the nineteenth century, the inhabitants of America were represented as extinct, on the verge of extinction or with visible signs of degeneracy, in a historical turnaround during the twenty-first century, the Amerindian populations created their own representations and objects, appropriating museums as spaces of mobilization for rights and reconstruction of their own trajectories, struggles, memories and identities. Tropicalism and (in)discipline: Gregori Warchavchik and Wladimiro Acosta
Um trambiqueiroParaCrawl Corpus ParaCrawl Corpus
19 sinne gevind in 10 ms. Hulle kom uit baie bronne en word nie nagegaan nie.