golden ratio oor Albanees
golden ratio
en
(geometry) The irrational number (approximately 1·618), usually denoted by the Greek letter φ (phi), which is equal the sum of its own reciprocal and 1, or, equivalently, is such that the ratio of 1 to the number is equal to the ratio of its reciprocal to 1.
Vertalings in die woordeboek Engels - Albanees
Prerja e artë
en
one plus the square root of five, all over two
Geskatte vertalings
Vertoon algoritmies gegenereerde vertalings
Prenteboek
voorbeelde
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Voorbeelde moet herlaai word.
In these patterns in nature he saw the golden ratio operating as a universal law.
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Pearl Drums positions the air vents on its Masters Premium models based on the golden ratio.
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A reference to the Trinity, but I think more importantly organized according to the Golden Ratio.
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French composer Erik Satie used the golden ratio in several of his pieces, including Sonneries de la Rose+Croix.
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Ancient Greeks had a method for evaluating sexual attractiveness based on the Golden ratio, part of which included measurements of the head.
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The Web resource MathWorld says: “The golden angle is the angle that divides a full angle [360°] in a golden ratio (but measured in the opposite direction so that it measures less than 180°).”
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Adolf Zeising, whose main interests were mathematics and philosophy, found the golden ratio expressed in the arrangement of parts such as leaves and branches along the stems of plants and of veins in leaves.
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And if you divide the larger number by the smaller number, then these ratios get closer and closer to about 1.618, known to many people as the Golden Ratio, a number which has fascinated mathematicians, scientists and artists for centuries.
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In connection with his scheme for golden-ratio-based human body proportions, Zeising wrote in 1854 of a universal law "in which is contained the ground-principle of all formative striving for beauty and completeness in the realms of both nature and art, and which permeates, as a paramount spiritual ideal, all structures, forms and proportions, whether cosmic or individual, organic or inorganic, acoustic or optical; which finds its fullest realization, however, in the human form."
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