Okeh Records oor Sweeds
Okeh Records
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Osborne and his band toured the U.S. during these years and in 1995, he was signed to Okeh Records.
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In February 1923, Joseph Samuels' Tampa Blue Jazz Band recorded the George W. Thomas number "The Fives" for Okeh Records, considered the first example of jazz band boogie-woogie.
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The song was recorded several times in 1927 for the Okeh, RCA Victor and Brunswick record labels.
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Most of these latter sides were made under the names of Synco Jazz Band (49 recordings during 1919-1922, mainly for Pathé but also for Columbia and Grey Gull), Joseph Samuels' Jazz Band (40 recordings during 1920-23, mainly for Okeh but also for Paramount) and Tampa Blue Jazz Band (31 recordings for Okeh during 1921-1923).
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In 1994, they released their self-titled debut album on Okeh Records.
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Anders and his band toured the U.S. during these years and in 1995, he was signed to Okeh Records.
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The recordings most prized by enthusiasts of the genre are usually by lesser-known artists, released only in limited numbers, often by small regional American labels such as Ric-Tic and AMG Records (Cincinnati), Golden World Records (Detroit), Mirwood (Los Angeles) and Shout and Okeh (New York/Chicago).
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In 1920, Ralph Peer's recordings of the African-American blues singer Mamie Smith were a surprise smash hit for Okeh.
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Okeh (pronounced 'okay') was founded by Otto K. E. Heinemann (1877–1965), a German-American manager for the U.S. branch of German-owned Odeon Records.
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