duration and continuity oor Tagalog

duration and continuity

Vertalings in die woordeboek Engels - Tagalog

tagal at pagpapatuloy

voorbeelde

23 And there was nothing save it was exceeding aharshness, bpreaching and prophesying of wars, and contentions, and destructions, and continually creminding them of death, and the duration of eternity, and the judgments and the power of God, and all these things—stirring them up dcontinually to keep them in the fear of the Lord.
23 At wala nang ibang bagay maliban sa akarahasan, bpangangaral at pagpopropesiya ng mga digmaan, at mga alitan, at mga pagkawasak, at patuloy na cpagpapaalaala sa kanila ng kamatayan, at ng tagal ng kawalang-hanggan, at ng mga hatol at ng kapangyarihan ng Diyos, at lahat ng bagay na yaon—dpatuloy na pinupukaw sila upang manatili sila sa pagkatakot sa Panginoon.

The remaining men of the 724th were eventually incorporated into the 124th and 149th Rifle Brigades, which continued to hold their positions at Spartanovka for the duration of the battle.
274 na mga pasahero ang sumakay sa Titanic habang ang 24 naman ay naiwan sa mga tender upang maibalik sa baybayin.

On the way, the king continued to provide theocratic instruction and encouragement, urging them: “Put faith in Jehovah your God that you may prove yourselves of long duration.
Habang nasa daan, ang hari ay patuloy na nagbigay ng mga teokratikong tagubilin at pampatibay-loob, na humihimok sa kanila ng ganito: “Manampalataya kayo kay Jehova na inyong Diyos upang kayo ay mamalagi.

Simply to take the path pointed out in the Gospel by those who have given us the plan of salvation, is to take the path that leads to life, to eternal increase; it is to pursue that course wherein we shall never, never lose what we obtain, but continue to collect, to gather together, to increase, to spread abroad, and extend to an endless duration.
Ang simpleng pagtahak sa landas na tinutukoy sa Ebanghelyo ng mga nagbigay sa atin ng plano ng kaligtasan, ay ang pagtahak sa landas tungo sa buhay, sa walang hanggang pag-unlad; ito ay ang ipagpatuloy ang daan kung saan hinding-hindi na kailanman mawawala ang ating natamo, kundi patuloy na tatanggap, magtitipon, darami, lalaganap sa ibang bayan, at magpapatuloy sa walang hanggang panahon.

The themes of separation and reunion, distance and intimacy, unravel in the interplay among three zones or layers of experienced temporality: a) time lost/frozen (for Anna fixated on finding her daughter consigned to a lost comrade Karla), b) time present (Roy remembering the burning of his family in front of an NGO group trying to reconstitute the historic truth/authenticity of what happened, and finally confessing his role as party agent of revenge), and (c) time future (duration as continuity), personified by the two daughters: Karla who wants to know/learn about her past, her mother's homeland; and Lorena whose everyday recording of what is occurring to her parents, etc., registers the symptoms of rupture and displacements, the asynchrony between past and present, thus rendering the future problematic, at best, and amenable to speculative extrapolation.
Napatunayang mabisa ang Banaag at Sikat sa pagkalat ng mga kaisipang anti-kapitalista—3,000 kopya ang nabili sa ilang linggo lamang pagkalabas ng nobela. Marahil, mas makahulugan ang pagmuniin na ang sirkulo ng mga peryodista, manunulat, impresores, at unyonista’y kabilang sina Crisanto Evangelista, Domingo Ponce at Cirilo Bognot, mga tagapagtatag ng Partido Komunista ng Pilipinas noong sumunod na dalawang dekada (Saulo 1990, 6-9). Bago pa man dumating sina Tan Malaka at James Allen (Sol Auerbach), malusog at mayaman na ang kaalamang mapagpalaya ng uring mangagawa’t artisano sa kalunsuran ng Pilipinas sa yugtong ito ng kasayayan. Ang makatuturang naitanghal ni Santos sa nobela yaong wala roon o naipahiwatig lamang: ang pagkakalapat ng teorya at praktika.