music historian oor Tagalog

music historian

Vertalings in die woordeboek Engels - Tagalog

historyador ng musika

occupation

voorbeelde

(2Sa 6:5) Since the sistrum is characteristically played in this manner, being, as it were, a musical rattle, many lexicographers and music historians favor this rendering, one that has also been adopted by a number of Bible translators. —Da; NW; Ro; Vg.
(2Sa 6:5) Yamang ang sistro ay karaniwang tinutugtog sa ganitong paraan, anupat isang panugtog na inaalog, pinapaboran ng maraming leksikograpo at mga istoryador sa musika ang saling ito, isang salin na ginagamit din ng ilang tagapagsalin ng Bibliya. —Da; NW; Ro; Vg.

(1 Chronicles 15:21; 25:7, 8; Nehemiah 12:46) Commenting on their advanced musical skills, historian Curt Sachs wrote: “The choruses and orchestras connected with the Temple in Jerusalem suggest a high standard of musical education, skill, and knowledge. . . .
(1 Cronica 15:21; 25:7, 8; Nehemias 12:46) Ganito ang komentong isinulat ng istoryador na si Curt Sachs hinggil sa kanilang nakahihigit na kakayahan sa musika: “Ang mga koro at orkestra na nauugnay sa Templo sa Jerusalem ay nagpapahiwatig ng mataas na pamantayan ng edukasyon, kasanayan, at kaalaman sa musika. . . .

He continues: “It is important to realize that the ancient Western Orient had a music quite different from what historians of the nineteenth century conceded it. . . .
Nagpatuloy siya: “Mahalagang kilalanin na ang musika ng sinaunang Kanluraning Silangan ay ibang-iba sa inaakala ng mga mananalaysay ng ikalabinsiyam na siglo. . . .

Some historians have argued that ancient Hebrew music was all melody, without supportive harmony.
Ikinakatuwiran ng ilang istoryador na ang sinaunang Hebreong musika ay pawang melodiya, walang umaalalay na armonya.

Historian Martin Shefter argues that "'Broadway musicals', culminating in the productions of Richard Rodgers and Oscar Hammerstein, became enormously influential forms of American popular culture" and contributed to making New York City the cultural capital of the Western Hemisphere.
Mananalaysay Martin Shefter argues, "'Broadway musicals,' culminating sa ang produksyong ng Richard Rodgers at Oscar Hammerstein, naging sobrang sobra-maimpluwensyang mga paraan ng mga Amerikano popular na kultura" at nakatulong gumawa ng New York City ang kultural na kabisera ng bansa.

According to historian Roger Bastide, Jesuit missionaries believed that native Africans, like children, should be drawn to the Catholic faith through music and dance as well as their love of titles and honorary positions.
Ayon sa istoryador na si Roger Bastide, naniniwala ang mga misyonerong Jesuita na ang mga katutubong Aprikano, gaya ng mga bata, ay dapat maakit sa relihiyong Katoliko sa pamamagitan ng musika at sayaw gayundin ng kanilang hilig sa mga titulo at mga posisyong pandangal.