He was, says one writer, “enthralled by the mathematical proportions of the Arabic script, . . . and his sense of colour was excited by the embellishment of the calligraphy with gold and silver leaf and other vivid minerals.”
Omnye umbhali umchaza athi “wayezithanda gqitha izibalo ezikulo mbhalo wesiArabhu, . . . nangenxa yokuthanda kwakhe imibala watsaleleka gqitha kumagama abhalwe kakuhle alo mbhalo nahonjiswe ngegolide, isilivere kwanamanye amatye anqabileyo.”jw2019 jw2019