bodabil oor Engels

bodabil

Vertalings in die woordeboek Tagalog - Engels

vaudeville

naamwoord

Bodabil

Vertalings in die woordeboek Tagalog - Engels

vaudeville

naamwoord

theatrical genre of variety entertainment.

Soortgelyke frases

bodabíl
vaudeville

voorbeelde

Ang Katy! the Musical ay isang Pilipinong musikal sa wikang Filipino na batay sa buhay ni Katy de la Cruz ang tinaguriang "Reyna ng Bodabil" sa Pilipinas na isinamusika ni Ryan Cayabyab at isinulat at nilapatan ng titik ni Jose Javier Reyes.
Katy! the Musical is a Filipino–language biographical musical based on the life of Katy de la Cruz, considered the "Queen of Philippine vaudeville and jazz" with music by Ryan Cayabyab and story and libretto by Jose Javier Reyes.

Ang bodabil ay isang uri ng samu't-saring libangan na laganap sa mga entablado ng Estados Unidos at Canada simula pa noong 1880 hanggang 1930.
Vaudeville was a theatrical genre of variety entertainment in the United States and Canada from the early 1880s until the early 1930s.

Matapos na lumitaw sa bodabil, nagsimula siya sa tanghalan ng Broadway sa St. Louis Woman noong 1946.
After appearing in vaudeville she made her Broadway debut in St. Louis Woman in 1946.

Mabilis ang pagpapalit ng bagong damit ng lungsod ng Maynila. Dumampot ng peryodiko,Photonewso alinpaman, at matataranta ang mga mata ng sinumang bubuklat ng mga pahina sa pagsalubong ngadsng iba’t ibang mga tindahan, produkto, serbisyo at anunsyo ukol sa palakasan, pelikulang kasalukuyang pinapalabas, at iba pa. Naririyan, halimbawa, ang Toyo Shirt Factory, Macondray and Co. na gumagawa ng talking Chinwah, o kaya ay Erlinger and Galinger na nagtitinda ng sikat na ponograpong Victrola; panay ring mababasa ang paalaala ng Tiboli Amusements Co., ukol sa palabas na bodabil sa Teatro Tivoli na kinatatampukan ng mga kinagigiliwang bituing kagaya nina Dimples, Miami, Millie at Bebe, at iba pa.
Two novels do not a novelist make; but more importantly, I think, the term “novelist” implies or demands a certain outlook on life, a certain scope of artistic vision that I have yet to find and feel comfortable with. Indeed, with the notable exceptions of F. Sionil Jose, Antonio Enriquez, and Azucena Grajo-Uranza, it seems that few Filipinos living here today can be rightfully called novelists, in the sense that their novels are what they are mainly known for. Edith Tiempo has written novels, but is appreciated more for her poetry. (Of course, in America, we have people like Linda Ty Casper, Ninotchka Rosca, Jessica Hagedorn, Eric Gamalinda, Gina Apostol, and Cecilia Manguerra Brainard—but their situation is friendlier to the aspiring or practicing novelist.)