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English

The concept of metre in music derives in large part from the poetic metre of song and includes not only the basic rhythm of the foot, pulse-group or figure used but also the rhythmic or formal arrangement of such figures into musical phrases (lines, couplets) and of such phrases into melodies, passages or sections (stanzas, verses) to give what Holst (1963, 18) calls "the time pattern of any song" (See also: Form of a musical passage).

Chinese

音乐中节拍的概念很大程度上来源于诗歌和歌曲的格律,其中不仅涵盖了音步、脉冲群和音型的基本节奏,也包括它们组成乐句(诗行、对句)、乐句组成旋律、段落或部分(诗节)的节奏与结构安排,直到形成Holst (1963, 18)中所称的“所有歌曲的时间形态(time pattern)”(另见曲式)。