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Author: WikiMatrix
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English[en]
More narrowly still, the term is sometimes used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern (Lansky, Perle, and Headlam 2001).
Latin[la]
Sensu iam artiore, vocabulum atonalitas musicam aliquando describit quae nec tonalis nec serialis est, praecipue ante excogitationem musicae tonorum duodecim Scholae Vindobonensis Alterius, imprimis compositorum Albani Berg, Arnoldi Schoenberg, et Antonii Webern (Lansky, Perle, et Headlam 2001).