Metadata
Author: Common crawl
Data
English[en]
Finally, another statement from Rancière needs to be discussed, where he specifically questions the permeability of artistic and political practices. [16] Not only theoretical considerations contradict this, but also – even though many protagonists understandably object to being categorized as art – the artistic strategies of the communication guerilla, the performative practice of Yomango and the Superheroes affiliated with the Euromayday movement, the net culture hoaxes and fakes by groups such as RTMark or the Yes Men and many more.
Spanish[es]
Una primera versión de este texto se publicó bajo el título de “Partizipation und Polizei” [Participación y policía] en 31, revista del Institut für Theorie der Gestaltung und Kunst (Zúrich).