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Author: WikiMatrix
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English[en]
The earliest masses based entirely on canon are Johannes Ockeghem's Missa prolationum, in which each movement is a prolation canon on a freely-composed tune, and the Missa L'homme armé of Guillaume Faugues, which is also entirely canonic but also uses the famous tune L'homme armé throughout.
Spanish[es]
Las primeras misas que emplearon esta forma fueron la Missa prolationum de Johannes Ockeghem, donde cada sección es un Canon de proporción sobre una melodía libre, y la Missa L’Homme armé de Guillaume Faugues quien compone un canon sobre la célebre melodía de L’Homme armé.