Metadata
Author: Common crawl
Data
German[de]
Als Jean 1920 nach Paris zurückkommt, lässt er sich auf Montmartre nieder.
English[en]
Two events in the postwar Parisian cultural scene decisively affected the artist’s career: the comedy “Le Bœuf sur le toit”, in 1920, which gave him the chance to meet the great French musicians of the era (Darius Milhaud, Georges Auric, Erik Satie, Francis Poulenc, Arthur Honegger); and “La Revue Nègre”, in 1925, which crystallized the marriage of color and music in his paintings that would lead to exceptional works of art. Jean’s interest in music inspired many depictions of pianists and orchestras, awash with analogous color schemes.
Spanish[es]
Dos acontecimientos de la vida cultural parisina de la posguerra influyeron de modo decisivo en el itinerario del artista, la comedia Le Boeuf sur le toit, que le dio la oportunidad de conocer a los músicos de la época (Darius Milhaud, Georges Auric, Erik Satie, Francis Poulenc, Arthur Honegger), La Revue Nègre, en 1925, que determinó en su obra la nueva unión del cromatismo y de la música, inspiradora de lienzos excepcionales.