Besonderhede van voorbeeld: 3641846244316019235

English

For the Bexhill scenes during the film's second half, the director makes use of silence and cacophonous sound effects such as the firing of automatic weapons and loudspeakers directing the movement of "fugees" (illegal immigrants).[67] Here, classical music by George Frideric Handel, Gustav Mahler, and Krzysztof Penderecki's "Threnody to the Victims of Hiroshima" complements the chaos of the refugee camp.[67] Throughout the film, John Tavener's Fragments of a Prayer is used as a spiritual motif to explain and interpret the story without the use of narrative.[67]

Spanish

Para las escenas de Bexhill durante la segunda mitad del filme, el director hace uso de efectos de sonido de silencio y cacofonía, tales como el disparar de armas automáticas y altavoces dirigiendo el movimiento de "fugees" (inmigrantes ilegales).[63] Aquí, música clásica de George Frideric Handel, Gustav Mahler y la usada como un motif espiritual para explicar e interpretar la historia sin el uso de la narrativa.[63]