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English

A series of exhibitions organised in the recent years have revalorised the status of the institution which in the period between its establishment in 1919 and its closing in 1933 not only built the foundations to modern, but also to sustainable design. The Bauhaus gave a chance to put things into an aesthetic, economic, political and feminist perspective. Around forty exhibits from Marinko Sudac Collection related to the Bauhaus period of the artist, teacher and athlete Ivana Tomljenović Meller are attention-worthy precisely because they summarise its most important constituents.

Croatian

Nizom izložbi upriličenih posljednjih godina revalorizirao se fenomen ustanove koja u razdoblju od osnutka 1919. do zatvaranja 1933. godine nije samo izgradila temelje modernome dizajnu, već i onom održivom. Bauhaus pruža mogućnost sagledavanja iz estetske, ekonomske, političke i feminističke perspektive, a skupina od četerdesetak eksponata iz Kolekcije Marinko Sudac, vezanih za bauhausovsko razdoblje umjetnice, profesorice i sportašice Ivane Tomljenović Meller, vrijedna je pažnje upravo po tome što sažima njegove bitne sastavnice.