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English

And with the statue of Poseidon crowning it, Pharos also sheds new light on Mrs. Ramsay's thoughts of the dish of fruit as part of "Neptune's banquet," and of Mr. Carmichael, late in the novel, "looking like an old pagan god, shaggy, with weeds in his hair and the trident." From Pharos and from Forster, Virginia learned to combine realism and mysticism, so as—as she said of Ibsen's technique in her 1927 review of Forster—to make us feel that "the thing we are looking at is lit up, and its depths revealed."Forster's Pharos and Pharillon also invites thoughts about the protean power of language and about Virginia's playfulness.

Chinese

法罗斯灯塔上的波塞冬雕像让拉姆齐夫人将一盘水果联想成"海神(Neptune ) [ 11]的宴会"中的一部分。 文中后来的卡迈克尔先生"看上去就像一个衰老的异教神,蓬头散发、满头杂草,还拿了一把三叉戟 。 " 从福斯特的《灯塔》中,弗吉尼亚学会了将现实主义和神秘主义结合在一起,这一技巧 — — 如同她在1927年对福斯特作品的评价中以仿易卜生的口吻说的那样 — — 让我们觉得"眼前的事物光芒四射,且颇有深度 。 "