Francisco Herrera the Elder oor Spaans
Francisco Herrera the Elder
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Francisco Herrera el Viejo
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He was apprenticed to FRANCISCO HERRERA THE ELDER before being trained by Francisco Pacheco.
Por muchas razones que no tienen nungún sentido para míLiterature Literature
Saint Joseph with the Infant Jesus - Francisco Herrera the Elder - as an art print of reproArte
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The holdings of this German museum feature works by the foremost Spanish masters of the sixteenth to the eighteenth centuries, from Juan de Juanes to Francisco de Goya, including the greatest artists of the Golden Age, among them Carducho, Francisco de Herrera the Elder, Alonso Cano, Antonio del Castillo and Murillo.
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This thorough representation of his youthful works is displayed alongside works by some of the other artists of the time who served as his inspiration, showing how contemporary artists such as the Caravaggist Italian artist Bartolomeo Cavarozzi, who travelled to Spain between 1617 and 1619, influenced his development, as well as the lessons he learned from his teachers Francisco Herrera the Elder and Francisco Pacheco, and his friend and sculptor Juan Martínez Montañés.
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The Prado’s holdings of Spanish devotional painting are also enriched with The Immaculate Conception by Antonio del Castillo (1616-1668), in a unique interpretation of a key subject in Andalusian painting, and with Saint Jerome by Francisco de Herrera the Elder (ca.1590-ca.1654).
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The publication that accompanies this exhibition includes an introductory text by Manuela Mena, Chief Curator of 18th-century Paintings and Goya at the Museo del Prado. The entries on the works are written by the Museum’s curators in the relevant fields: Virginia Albarrán (Agustín Esteve); Javier Barón (Eugenio Lucas Velázquez); Sánchez Cotán and Francisco de Herrera the Elder).
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In 1997 Pérez Sánchez argued his claim that it was a key work in the training of Cano and Velázquez with Pacheco in Seville regarding the treatment of figures - staunchly vertical in Velázquez's case, and noticeably spindle-shaped by Cano - through the use of clothing and the arrangement of the hands that is prevalent through his career and that, curiously, draws parallels with Francisco de Herrera "the elder", who used similar figures in one of his Inmaculadas Concepciones.
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Some specialists believe contact with Herrera the Elder's workshop, and with the art of Antonio del Castillo -also from Cordoba- influenced his first known signed and dated work: the Saint Andrew at the church of San Francisco de Córdoba, from 1647.
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8 sinne gevind in 8 ms. Hulle kom uit baie bronne en word nie nagegaan nie.