Something similar happened with the explicit position of a remarkable group of poets to "uproot" (Dámaso Alonso's expression) and leave the "garcilasista aesthetic", named after the official youth magazine Garcilaso-Juventud creadora: Luis Rosales, Luis Felipe Vivanco, Leopoldo Panero, in favour of social poetry (magazine Espadaña, from 1944 to 1951): Eugenio de Nora, Victoriano Crémer, who is associated with the subsequent careers of Gabriel Celaya and Blas de Otero, usually identified with the internal exiles, or a group of novelists labelled "tremendistas" (Tremendismo literary movement): Camilo José Cela, La familia de Pascual Duarte (1942), Rafael García Serrano, Luis Landínez, Darío Fernández Flórez.
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