Memories of Underdevelopment oor Spaans
Memories of Underdevelopment
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Memorias del Subdesarrollo
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Written and directed by Miguel Coyula, the story is based on a novel by Edmundo Desnoes, also the author of the 1968 classic Memories of Underdevelopment.
Mira, no estoy diciendo que era candidato para presidente,... y... te aseguro que no era el mejor novio del mundoWikiMatrix WikiMatrix
The first ten years of the institution were called by critics the Golden Age (Década de Oro) of Cuban cinema, most of all because of the making of Lucía (1969) by Humberto Solás and Memorias del subdesarrollo (Memories of Underdevelopment) (1968) by Tomás Gutiérrez Alea.
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2. Memories of Underdevelopment – Tomas Gutierrez Alea, Cuba
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50th Anniversary Restoration of “Memories of Underdevelopment,” Film Forum.
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MEMORIES OF UNDERDEVELOPMENT: THOUGHT AS AN OBSTACLE FOR THE CONSTRUCTION OF ANOTHER POSSIBLE WORLD
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Memories of Underdevelopment
El cuarto programa de acción está sirviendo de pauta en todos los Estados miembros pero sus objetivos no deben terminar en el programa sino que necesitamos continuarlosy mejorarlos en un quinto programa de acción.ParaCrawl Corpus ParaCrawl Corpus
There wasn’t any money, which is normal in a country where Memories of Underdevelopment continue.
Responsable porla destrucción de # coches patrulleros, un autobús metropolitanoParaCrawl Corpus ParaCrawl Corpus
Tomas Gutierrez Alea’s “Memories of Underdevelopment” is as essential as cinema gets
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Memories of Underdevelopment by Tomás Gutiérrez Alea
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In Memories of Underdevelopment, Cuba is underdeveloped.
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How do you identify with Sergio in Memories of Underdevelopment and the character of Edmundo in Memories of Development?
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stories that recently caught our eye—on Juan Roberto Diago, Memories of Underdevelopment, the jazz fest now going on in Havana, and more.
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His next film, Memorias del Subdesarrollo (Memories of Underdevelopment) (1968) was the first Cuban film to be shown in the United States since the Revolution.
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The premiere of Memories of Underdevelopment had allowed Titón, as Gutiérrez Alea was nicknamed, international recognition, although reception within the country had not been homogeneous.
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Here, we share stories that recently caught our eye—on Juan Roberto Diago, Memories of Underdevelopment, the jazz fest now going on in Havana, and more.
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Last year, Cannes exhibited the also restored copy of Memories of Underdevelopment, and now is the time to program the other great classic of Cuban cinema.
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"Underdevelopment in the memories" is a tribute to "Memories of underdevelopment", one of the most famous Cuban films and directed in 1968 by Tomas Gutierrez Alea.
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Film + Video Here, we share stories that recently caught our eye—on Juan Roberto Diago, Memories of Underdevelopment, the jazz fest now going on in Havana, and more.
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Precisely, One Way or Another (Sara Gómez) and Memories of Underdevelopment (Tomás Gutiérrez Alea) precisely represent peak moments in the translation of these artistic currents in the island’s cinema.
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The director of Memories of Underdevelopment is craftsman of the cinema: he films, directs, edits, does the special effects and music, all the while organizing the entire production of the film.
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Cuban director Tomas Gutierrez Alea’s Memories of Underdevelopment, from 1968, is one of the greatest pictures ever made, and it’s screening in a new restoration at Film Forum that you shouldn’t miss.
Yo, eh... pensé que debería saberloParaCrawl Corpus ParaCrawl Corpus
I’m thinking something similar to what happened with Memories of Underdevelopment, I had 40 minutes when I got a Guggenheim Fellowship and with that I was able to film the missing scenes.
Y tu mamá es negra como la suela de mi zapatoParaCrawl Corpus ParaCrawl Corpus
It’s been 50 years around these days that Memories of Underdevelopment (Tomás Gutiérrez Alea) was premiered. It took to cinema the novel by the same name published three years before by Edmundo Desnoes.
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A member of the group Modernity/Coloniality, Grosfoguel has written extensively on the decolonization of knowledge and power, topics that are dealt with from an artistic point of view in the exhibition Memories of Underdevelopment.
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In 1968 societies and their films, like the protagonist in Tomás Gutiérrez Alea’s Memories of Underdevelopment (1968), questioned their position in the world, and in that act of rethinking their roles, they found, painfully, vigorously, critically, a sort of freedom.
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34 sinne gevind in 14 ms. Hulle kom uit baie bronne en word nie nagegaan nie.