The new generation of photographers that explored other options beyond the regime’s Pictorialism did not enter the scene until the 1950s; they included Oriol Maspons (1928), Julio Ubiña (1922-1988), Joan Colom (1921), Ramon Masats (1931), Eugeni Forcano (1926), Xavier Miserachs (1937-1998), Ricard Terré (1928), Leopold Pomés (1931)—who moved into advertising photography—and, subsequently, Colita (1940). A key figure during this period was Josep Maria Casademont, who as a theoretician, critic and supporter of the art of photography, brought it to public attention through the Sala Aixelà gallery and the publication of specialised books and magazines.
Es este un problema fundamental en lo que se refiere a las consecuencias para el medioambiente y la salud y a la aceptación de la energía nuclear por los ciudadanosCommon crawl Common crawl