He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside François Couperin.
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Molière's friendship with Jean-Baptiste Lully influenced him towards writing his Le Mariage forcé and La Princesse d'Élide (subtitled as Comédie galante mêlée de musique et d'entrées de ballet), written for royal "divertissements" at the Palace of Versailles.
With Lully he again used music for Monsieur de Pourceaugnac, for Les Amants magnifiques, and finally for Le Bourgeois gentilhomme (The Middle Class Gentleman), another of his masterpieces.
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His debut, Hippolyte et Aricie (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony.
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It was born from the termination of the legal use of music in theater, since Lully had patented the opera in France (and taken most of the best available singers for his own performances), so Molière had to go back to his traditional genre.