Andrea Palladio
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highly original and much imitated Italian architect (1508-1580)
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Buildings were ascribed to specific architects – Brunelleschi, Alberti, Michelangelo, Palladio – and the cult of the individual had begun.
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Andrea Palladio's I quattro libri dell'architettura (Four Books on Architecture) (Venice, 1570), which included both drawings of classical Roman buildings and renderings of Palladio's own designs utilizing those motifs, became the most influential book ever written on architecture.
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In its purest form, it is a style principally derived from the architecture of classical antiquity, the Vitruvian principles, and the work of the Italian architect Andrea Palladio.
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The 16th-century architect Palladio considered Vitruvius his master and guide, and made some drawings based on Vitruvius' work before conceiving his own architectural precepts.
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British architect Inigo Jones, inspired by the designs of Italian buildings and cities, brought back the ideas of Italian Renaissance architecture to 17th-century England, being inspired by Andrea Palladio.
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In 1570, Andrea Palladio published the influential I quattro libri dell'architettura (The Four Books of Architecture) in Venice.
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He attempted to relate the design of cities and buildings to the ideas of Vitruvius and the Pythagoreans, and to the more recent ideas of Palladio.
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Earlier architects had used these formulas for balancing a single symmetrical facade; however, Palladio's designs related to the whole, usually square, villa.
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Later in the 16th-century Andrea Palladio provided illustrations for Daniele Barbaro's commentary on Vitruvius, published in Italian and Latin versions.
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In Renaissance architecture, symmetry and proportion were deliberately emphasized by architects such as Leon Battista Alberti, Sebastiano Serlio and Andrea Palladio, influenced by Vitruvius's De architectura from ancient Rome and the arithmetic of the Pythagoreans from ancient Greece.
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