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Ludovico Ariosto

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Ludovico Ariosto

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It most likely comes from reciting formulas used to perform Orlando Furioso, an epic poem by Ludovico Ariosto.
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After the death of his father, Ludovico Ariosto was compelled to forgo his literary occupations and take care of his family, whose affairs were in disarray.
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Literary achievements — such as the poetry of Petrarch, Torquato Tasso, and Ludovico Ariosto and the prose of Giovanni Boccaccio, Niccolò Machiavelli, and Baldassare Castiglione — exerted a tremendous and lasting influence on the subsequent development of Western culture.
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The world of The Faerie Queene is based on English Arthurian legend, but much of the language, spirit, and style of the piece draw more on Italian epic, particularly Ludovico Ariosto's Orlando Furioso and Torquato Tasso's Jerusalem Delivered.
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The Italian Renaissance authors Matteo Maria Boiardo and Ludovico Ariosto, whose works were once as widely read and respected as William Shakespeare's, contributed prominently to the literary and poetical reworking of the tales of the epic deeds of the paladins.
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An early example of an orco appears in Ludovico Ariosto's Orlando Furioso, as a bestial, blind, tusk-faced monster inspired by the Cyclops of the Odyssey; this orco should not be confused with the orca, a sea-monster also appearing in Ariosto.
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In Ludovico Ariosto's Orlando Furioso, a continuation of Boiardo's poem, Astyanax is saved from Odysseus (36.70) by substituting another boy of his age for himself.
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18th-century depiction of Angelica and Medoro whose marriage in act 2 drives Orlando pronunciation: [orˈlando fuˈrjoːzo]), is an opera in three acts by Antonio Vivaldi to an Italian libretto by Grazio Braccioli, based on Ludovico Ariosto's epic poem Orlando Furioso (The Frenzy of Orlando).
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The world of The Faerie Queene is based on English Arthurian legend, but much of the language, spirit, and style of the piece draw more on Italian epic, particularly Ludovico Ariosto's Orlando Furioso and Torquato Tasso's Jerusalem Delivered.[10] Book V of The Faerie Queene, the Book of Justice, is Spenser's most direct discussion of political theory.
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Este compensated Ariosto poorly for his efforts; the only reward he gave the poet for Orlando Furioso, dedicated to him, was the question, "Where did you find so many stories, Master Ludovico?"
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