During the first few hundred years of this renewed interest, many monks from Tibet traveled abroad to India (1995.176), the homeland of Buddhism, to study the religion, and Indian scholars were invited to Tibet to lecture and give teachings (1993.479). Although Tibet’s vast geographic area and its many adjacent neighbors—India and Kashmir, Nepal, the northern regions of Burma (Myanmar), China, and Central Asia (Khotan)—are reflected in the rich stylistic diversity of Tibetan Buddhist art, during the late eleventh and early twelfth centuries, Pala India became the main source of artistic influence.
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