Hans Holbein the Elder oor Spaans
Hans Holbein the Elder
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He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the Late Gothic school.
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Hans Holbein the Elder and his brother Sigmund also moved away from Augsburg at about this time, but the reasons for the Holbein family's disappointment in the city is not known.
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Presentation of Christ in the Temple by Hans Holbein the Elder, 1465-1524 (public domain)
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Hans Holbein the Elder Hans Holbein the Younger
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He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder.
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Hans (right) and Ambrosius Holbein, by Hans Holbein the Elder, 1511.
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Ambrosius Holbein Hans Holbein the Elder, Portrait of his sons Ambrosius and Hans
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Click here to buy a hand made oil reproduction of this Hans Holbein The Elder Artwork Hans Holbein The Elder
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Click here to buy a hand made oil reproduction of this Hans The Elder Holbein Artwork Hans The Elder Holbein
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Hans Holbein the Elder: Presentation of Christ in the Temple, 1500-1501, and Hugo van der Goes: Portinari-Altar, 1476-78, details
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He was a son of the painter and draughtsman Hans Holbein the Elder, whose trade he and his older brother, Ambrosius, followed.
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He travelled to Augsburg where he studied the work of Hans Holbein the Elder and Hans Burgkmair as well as Dürer’s prints.
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Ulrich Apt the Elder had a flourishing workshop in Augsburg, where he competed with those of Hans Holbein the Elder and Hans Burgkmair.
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Biography Listen Hans Holbein the Elder, son of the tanner Michael Holbein from Augsburg, was probably born in that city between 1460 and 1465.
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In 1496 he is documented in the workshop of Jörg Stocker in Ulm, and around 1500 in Augsburg where he trained with Hans Holbein the Elder.
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Kiss of Judas by Paula Moderzon-Becker “The Passion of the Lord in gray tones” are considered one of the main creations of Hans Holbein the Elder.
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Learning painting from his father, Han Holbein the Elder (1460 – 1524), Hans the Younger carried on his father’s contribution in transitioning German art from the Gothic era to the Renaissance.
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Hans Holbein the Elder was a German painter active during the first half of the 16th century and the father of Hans Holbein the Younger, with whom he worked on various projects.
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Highly successful as a portraitist, Amberger also executed religious paintings, including the replacement of an altarpiece by Hans Holbein the Elder in Augsburg cathedral that had been destroyed during the religious riots.
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The identity of the two figures was suggested by J. Eisler who compared them with three silverpoint drawings by Hans Holbein the Elder in Berlin depicting Georg Thurzo and his wife Anna Fugger.
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In comparison to other flourishing workshops in Augsburg such as those of Hans Holbein the Elder and Hans Burgkmair, which looked to Italian and in particular, Venetian art, Apt’s studio opted for the Netherlandish manner and tradition.
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Germany’s artistic Renaissance in the 16th Century, called the Northern Renaissance, was also seen in painters such as Hans Holbein the Elder (1460 – 1524) and his sons Hans Holbein the Younger (1497 – 1543) and Ambrosius Holbein (1494 – 1519).
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Janos Eisler identified the sitters on the basis of their relationship to three drawings by Hans Holbein the Elder in Berlin that depict Georg Thurzo, a member of a wealthy family that owned mines in northern Hungary, and his wife Anna Fugger.
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Janos Eisler identified the sitters on the basis of their relationship to three drawings by Hans Holbein the Elder in Berlin that depict Georg Thurzo, a member of a wealthy family that owned mines in northern Hungary, and his wife Portrait of a Woman (Anna Fugger?).
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Janos Eisler identified the sitters on the basis of their relationship to three drawings by Hans Holbein the Elder in Berlin that depict Georg Thurzo, a member of a wealthy family that owned mines in northern Hungary, and his wife Portrait of a Woman (Anna Fugger?)">Anna Fugger.
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34 sinne gevind in 19 ms. Hulle kom uit baie bronne en word nie nagegaan nie.