AMI oor Kornies

AMI

naamwoord

Initialism of [i]acute myocardial infarction[/i].

Vertalings in die woordeboek Engels - Kornies

mernans keher an golon

Myocardial infarction (MI), commonly known as a heart attack, or acute myocardial infarction (AMI)

mernans lebm keher an golon

Myocardial infarction (MI), commonly known as a heart attack, or acute myocardial infarction (AMI)

mernans lymm keher an golon

Myocardial infarction (MI), commonly known as a heart attack, or acute myocardial infarction (AMI)

shora an golon

Myocardial infarction (MI), commonly known as a heart attack, or acute myocardial infarction (AMI)

shora kolon

Myocardial infarction (MI), commonly known as a heart attack, or acute myocardial infarction (AMI)

ami

Ami

A language of Australia.

voorbeelde

Kingsley Amis
Kingsley Amis

This led to a series of projects covering such subjects as archaeology, botany, oral history and place names. Its leadership changed again in 1991 with Philip Payton, a political scientist and historian, developing an interdisciplinary New Cornish Studies. This included a specific focus on modern Cornwall since the eighteenth century and a consideration of topics like migration, tourism and ethnic identity. The subsequent involvement of new members of staff from 1997 onwards, notably Amy Hale, Garry Tregidga and Bernard Deacon, led to an emphasis on New Celtic Studies, oral history and quantitative research respectively.
Hemma a ledyas dhe gevres a ragdresow ow komprehendya testennow avel hendhyskonieth, losonieth, istori der anow ha henwyn tyller. Hembrenkieth a janjyas arta yn 1991 gans Philip Payton, godhonydh-politek hag istorior, ow tisplegya Studhyansow Kernewek Nowydh ynterdhyskyblethek. Synsys ynna yth esa fog arbennek orth Kernow arnowydh a-dhia an etegves kansvledhen ha prederyans a destennow kepar ha divroans, tornyaseth ha honanieth ethnek. Omvyskans a'y wosa a vayni nowydh yn 1997 hag alena rag, yn arbennek Amy Hale, Garry Tregidga ha Bernard Deacon, a ledyas dhe boslev yn Studhyansow Keltek Nowydh, istori der anow ha hwithrans musurel a-gettep.

Year Recipient Awarded by the AAS 1934 Cecilia Payne-Gaposchkin 1937 Charlotte Moore Sitterly 1940 Julie Vinter Hansen 1943 Antonia Maury 1946 Emma Vyssotsky 1949 Helen Sawyer Hogg 1952 Ida Barney[3] 1955 Helen Dodson Prince 1958 Margaret Mayall 1962 Margaret Harwood 1965 Erika Böhm-Vitense 1968 Henrietta Swope Awarded by the AAUW with advice of AAS 1974 Beatrice Tinsley 1976 Catharine Garmany 1978 Paula Szkody 1980 Lee Anne Willson 1982 Judith Young 1984 Harriet Dinerstein 1986 Rosemary Wyse 1988 Karen Jean Meech 1989 Jacqueline Hewitt 1990 Claudia Megan Urry 1991 Jane Luu 1992 Elizabeth Lada 1993 Stefi Baum 1994 Andrea Ghez 1995 Suzanne Madden 1996 Joan Najita 1997 Chung-Pei Ma 1998 Victoria M. Kaspi 1999 Sally Oey 2000 Alycia J. Weinberger 2001 Amy Barger 2002 Vassiliki Kalogera 2003 Annette Ferguson 2004 Sara Ellison Awarded by the AAS 2006 Lisa J. Kewley 2007 Ann Hornschemeier 2008 Jenny Greene 2009 Alicia M. Soderberg 2010 Anna Frebel 2011 Rachel Mandelbaum 2012 Heather Knutson 2013 Sarah Dodson-Robinson 2014 Emily Levesque 2015 Smadar Naoz 2016 Laura A. Lopez 2017 Rebekah Dawson 2018 Ilse Cleeves 2019 Blakesley Burkhart 2020 Caroline Morley[4]
Bledhen Gwaynyor Res gans an KSA 1934 Cecilia Payne-Gaposchkin 1937 Charlotte Moore Sitterly 1940 Julie Vinter Hansen 1943 Antonia Maury 1946 Emma Vyssotsky 1949 Helen Sawyer Hogg 1952 Ida Barney[1] 1955 Helen Dodson Prince 1958 Margaret Mayall 1962 Margaret Harwood 1965 Erika Böhm-Vitense 1968 Henrietta Swope Res gans an KABP wosa kussul gans 1974 Beatrice Tinsley 1976 Catharine Garmany 1978 Paula Szkody 1980 Lee Anne Willson 1982 Judith Young 1984 Harriet Dinerstein 1986 Rosemary Wyse 1988 Karen Jean Meech 1989 Jacqueline Hewitt 1990 Claudia Megan Urry 1991 Jane Luu 1992 Elizabeth Lada 1993 Stefi Baum 1994 Andrea Ghez 1995 Suzanne Madden 1996 Joan Najita 1997 Chung-Pei Ma 1998 Victoria M. Kaspi 1999 Sally Oey 2000 Alycia J. Weinberger 2001 Amy Barger 2002 Vassiliki Kalogera 2003 Annette Ferguson 2004 Sara Ellison Res gans an KSA 2006 Lisa J. Kewley 2007 Ann Hornschemeier 2008 Jenny Greene 2009 Alicia M. Soderberg 2010 Anna Frebel 2011 Rachel Mandelbaum 2012 Heather Knutson 2013 Sarah Dodson-Robinson 2014 Emily Levesque 2015 Smadar Naoz 2016 Laura A. Lopez 2017 Rebekah Dawson 2018 Ilse Cleeves 2019 Blakesley Burkhart 2020 Caroline Morley[2]

We continued up a short driveway the name of which escapes me (Melba Drive, perhaps?) and turned right – over the top of an ancient and revered tree. (I believe it had been planted by the founders of the University to celebrate some significant event or other – which no-one now remembered. It has been classified by the National Trust, I’m told. Yes, we were doing good work here!) We rumbled on a slight decline towards the Bailieu entrance – on the way collecting a couple of stray bollards (not yet classified by the National Trust). And then, as I squeezed the brake pedal once more, I drove past the entrance of the library and prepared for my pièce de la résistance. “What the fuck?” yelled Paul. “You’ve missed the doors. Now we’ll have to run the gauntlet of the zombies to get inside.” “Pas du tout. Du calme, mon ami,” I said. (Don’t forget that Paul and I could speak passable French.) “Watch and be amazed.” I brought the lumbering beast to a complete halt – without stalling it – and grinned at Paul and Charles. They didn’t grin back. Their expressions looked decidedly grim. For me, this next bit was the easiest. Prior to this day, most of my truck driving had actually been in reverse gear – shifting the trucks around the yard of the IPEC depot. So, reversing was my best thing – comparatively. And so it proved. In a single sweep, with skilful use of my side mirrors, I backed the truck to within a few feet of the library’s glass doors. I didn’t want to get too close – smashing through the barricaded doors would have been a less than desirable outcome – unless, of course, you were a zombie waiting to get inside and devour whoever you might meet. As I had been backing, I could see admiring – but definitely gaunt – faces pressed to the inside of the library’s windows. The zombies that had been milling about outside also stopped to observe my performance. Were they impressed? Who cared! I was enjoying myself.
Yth esen ow fesya a-hys rosva verr ma na borth kov a’n hanow (Rosva Melba, martesen?) ha treylya a-dhyghow – unnweyth arta dre (hag a-ugh) gwydhenn pur goth ha meur y vri. (Hi re via blansyes, dell grysav, gans fondoryon an bennskol rag kovhe nebes hwarvos poesek - lemmyn ankevys gans pub huni, heb mar. Kovskrifys o an wydhenn ma gans Trest Ertach Kenedhlek, dell yw leverys orthymm. Yn hwir, yth esen ni ow kul oberennow pur dha!) Ni a gramyas yn-unn-wrommya war leder byghan troha entrans an Baillieu – ha ni kuntellys nebes bollardys (nag esa na hwath kovskrifys gans Trest Ertach Kenedhlek). Hag ena, my a waskas yn tov unnweyth arta war droesel an fronn ha lywya dres entrans an lyverva rag pareusi ow pièce de la résistance. “Piw an jyowl!” a armas Powl. “Ty re dremenas an darasow. Lemmyn, res vydh dhyn mos yn-dann lash an zombis rag entra ynna.” “Pas du tout. Du calme, mon ami,” yn-medhav. (Na ankevewgh Powl ha my dhe alloes kewsel da lowr an yeth frynkek.) “Gwra mires orthymm, meur dha varth!” My a ylli stoppya yn tien an best ankombrys – heb hedhi an jynn-disel. My a wryslas orth Powl ha Charles. Nyns esens i ow grysla orthymmo vy. Yn hwir, y heveli aga fismens bos asper dres eghenn. Ragov vy, yth esa an essa tra, an nessa rann. Kyns an jydh na, an brassa rann a’m lywyans re via gwrys y’n vaglenn dhelergh – ha my gwayes an kertow a- dro dhe arth IPEC. Ytho, gwayans y’n vaglenn dhelergh o’m gwella tra – yn kehevelus. Hag yndella y hwarva. Yn gwayans unnik, gans devnydh kuryns a’m gwedrow- mires a-denewen, my a lywyas war-dhelergh troha’n darasow-gweder an lyverva – hag omstoppya a-berth yn nebes treys-hys alena. Ny vynnen dos re ogas dhedha – skwattya dres an darasow (re via baryes) a via diwedh le es dell o desiryes – marnas, heb mar, an pobel a dhesirya diwedh a’n par ma dhe vos an zombis ow kortos rag gwaynya entrans a-bervedh rag dybri piwpynag yllens. Ha my gwayes an kert war-dhelergh, my a ylli gweles fasow askornek, orth ow estemya, gwaskys erbynn fenestri an lyverva. An zombis re via ow kwandra oll a-dro a hedhis keffrys rag mires orth ow ferformyans vy. Ens i kemmerys yn feur ganso? Ny vern. Yth esen owth omlowenhe.

Amy Callaghan
Amy Callaghan