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Alessandro Algardi

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Alessandro Algardi

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Inside the church is also a shrine for Saint Agnes, containing her skull and a marble relief by Alessandro Algardi.
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Among the sculptural decoration are the following: The Two Holy Families (1676) by Domenico Guidi - The main altar initially was intended to hold a Miracle of Saint Agnes commissioned from Alessandro Algardi, but who died shortly after receiving the commission.
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Aside from his lasting friendship with Poussin, who shared his antiquarian interests and from whom Cassiano commissioned the series of seven Sacraments and the illustrated manuscript of Leonardo's Le Regole e Precetti della Pittura, Cassiano's patronage extended to the French painter in Rome Simon Vouet and the classicizing sculptor Alessandro Algardi, to Artemisia Gentileschi, Gian Lorenzo Bernini (from whom he commissioned a bust of his uncle, Carlo Antonio), Pietro da Cortona, Caravaggio as well as lesser-known contemporary artists whom he kept busy with lesser commissions for his Museo Cartaceo.
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Loading Artworks of topic Saints and containing the word alessandro algardi, marble, saints, 1650
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Modern restoration by Alessandro Algardi (17th century) inv. MC0236
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Bed And Breakfast Arcobaleno BolognaVia Alessandro Algardi 10, Bologna, Italy, 40128, show map
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Loading Artworks of topic Sleep and containing the word alessandro algardi, marble, sleep, 1650
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Modern restoration by Alessandro Algardi (17th century)
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The Artworks of topic Sleep and containing the word alessandro algardi, marble, sleep, 1650
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The Crucifix by Alessandro Algardi
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Exhibition: The Crucifix by Alessandro Algardi
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Roberto Piperno, "Three busts by Alessandro Algardi" Busts of members of the Frangipane family in S. Marcello al Corso
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The display cabinets opposite the windows exhibit a precious selection of terracotta works by Gian Lorenzo Bernini and Alessandro Algardi.
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Within the complex operated some of the greatest artists of the time such as Alessandro Algardi, Giovan Francesco Grimaldi, Gian Lorenzo Bernini.
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When he fled Naples in 1647 during Masaniello's revolt, in Rome he joined the studio of Bernini's main competitor Alessandro Algardi with whom h......
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1647 and 1649 Grimaldi was involved in the construction of the Villa Pamphilj in Rome, working as assistant architect, garden designer and painter to Alessandro Algardi.
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Between 1647 and 1649 Grimaldi was involved in the construction of the Villa Pamphilj in Rome, working as assistant architect, garden designer and painter to Alessandro Algardi.
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Displayed for the last time in 1999, the Crucifix by the Bolognese sculptor Alessandro Algardi (1598-1654) returns on extraordinary display from 14 February in the Vatican Museums Pinacoteca.
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The sculptures were then restored and reintegrated in the missing parts from some of the most important sculptors of the era such as Gian Lorenzo Bernini, Alessandro Algardi, Ippolito Buzzi.
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A generation of artists who shared his style of art include the painters Nicolas Poussin and Giovanni Battista Passeri, the sculptors Alessandro Algardi and François Duquesnoy, and the contemporary biographer Giovanni Bellori.
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Born in Poli, in Lazio, he was trained in Rome in the studio of Alessandro Algardi, a noted sculptor, who noted that Brandi was more suited to painting. He joined the studio of Giovanni Giacomo Sementi.
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Alessandro Algardi (31 July 1598 – 10 June 1654) was an Italian high-Baroque sculptor active almost exclusively in Rome, where for the latter decades of his life, he was, along with Francesco Borromini and Pietro da Cortona, one of the major rivals of Gian Lorenzo Bernini.
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Furthermore, many papal tombs that recycled sarcophagi and other materials from earlier tombs were later recycled for their valuable materials or combined with other monuments. For example, the tomb of Pope Leo I was combined with Leos II, III, and IV circa 855, and then removed in the seventeenth century and placed under his own altar, below Alessandro Algardi's relief, Fuga d'Attila.
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The sacristy was begun in 1621 based on architectural plans by Mario Arconio and completed by Paolo Maruscelli in 1629. In the sacristy is a marble sculptural group of S. Filippo with an Angel by Alessandro Algardi. The wall frescoes are by Francesco Trevisani and the Benediction by Christ by Cerrini with the ceiling frescoed with Angels carrying the instruments of the Passion (1633–34) by Pietro da Cortona.
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24 sinne gevind in 19 ms. Hulle kom uit baie bronne en word nie nagegaan nie.