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Eduard Hanslick also in the nineteenth century, really fleshing things out a
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He also attacked by name the critic Eduard Hanslick, bringing in reference to the latter's Jewish descent (which Hanslick then attempted to deny).
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The influential critic Eduard Hanslick called it "long and pretentious" and said that it "brought us face to face with the revolting thought that music can exist which stinks to the ear", labeling the last movement "odorously Russian".
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Eduard Hanslick (11 September 1825 – 6 August 1904) was a German Bohemian music critic.
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He also attacked by name the critic Eduard Hanslick, bringing in reference to the latter's Jewish descent (which Hanslick then attempted to deny).[16]
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Further recognition came in 1875 with the award of a Ministry of Education stipendium by a committee in Vienna that included the critic Eduard Hanslick and Brahms.
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Further recognition came to Dvořák in 1874, when his application for an Austrian government award brought his music to the attention of Brahms and the critic Eduard Hanslick in Vienna.
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The recent premiere of his Third Symphony had been nothing short of disastrous, receiving an extremely negative, though not surprising review from Eduard Hanslick, given Hanslick's predilection for the works of Brahms.[6]
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Further recognition came to Dvořák in 1874, when his application for an Austrian government award brought his music to the attention of the critic Eduard Hanslick in Vienna and subsequently to that of Brahms, a later member of the examining committee.
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For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations.
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10 sinne gevind in 4 ms. Hulle kom uit baie bronne en word nie nagegaan nie.