Ginger Rogers oor Kroaties

Ginger Rogers

naamwoord

United States dancer and film actress who partnered with Fred Astaire (1911-1995)

Vertalings in die woordeboek Engels - Kroaties

Ginger Rogers

Ginger Rogers always insisted her dresses move just like that.
Ginger Rogers je uvijek insistirala da joj se haljina baš ovako kreće.

voorbeelde

Ginger Rogers, that's who I wanted to be.
Džindžer Rodžers, eto ko sam željela da budem.

‘We could be like Fred Astaire and Ginger Rogers.’
"""Mogli bismo biti kao Fred Astaire i Ginger Rogers."""

Ginger Rogers is from Missouri and I'm just dying to see Kitty Foyle again.
Ginger Rogers je iz Missourija, a ja umirem od ţelje da ponovno pogledam Kitty Foyle.

Edward and Esme spun around us like Fred Astaire and Ginger Rogers.
Edward i Esme vrtjeli su se za to vrijeme oko nas kao Fred Astaire i Ginger Rogers.

Ginger Rogers did everything Fred Astaire did backwards and in heels.
Ginger Rogers je radila sve što i Fred Astaire unatrag i u potpeticama.

Ginger Rogers is trying to get in touch with me.
Džinger Rodžers pokušava da stupi u kontakt sa mnom.

You know what they used to say about Ginger Rogers?
Znaš što su govorili za Ginger Rogers?

You'll have me lookin'like Ginger Rogers before you're done.
Sad kad si završila, izgledam kao Ginger Rogers.

Ginger Rogers always insisted her dresses move just like that.
Ginger Rogers je uvijek insistirala da joj se haljina baš ovako kreće.

You think Ginger Rogers is a Russian assassin?
Mislite da je Džindžer Rodžers ruski ubojica?

Ginger Rogers was the pinnacle of femininity.
Ginger Rogers je bila oličenje ženstvenosti.

Ginger Rogers...
Ginger Rogers?

Bill McGovern and Lois Chasse are about as far from Fred Astaire and Ginger Rogers as you can g— “Ralph?”
Bill McGovern i Lois Chasse su prema Fredu Astaireu i Ginger Rogers kao nebo i z— “Ralph?”

Bergerac met and married Ginger Rogers with whom he appeared in Twist of Fate (1954) (also known as Beautiful Stranger).
Bergerac je upoznao i oženio Ginger Rogers, s kojom se pojavio u filmu Twist of fate (1954.) (također poznat kao Beautiful Stranger).

I told her we were probably the most on-our-toes pair since Ginger Rogers and Fred Astaire, and she laughed.
Rekao sam joj da smo nas dvoje vrlo vjerojatno najspremniji za akciju od pojave Arnolda Schwarzeneggera pa se nasmijala.

Ferris would have a fit if he knew she was now wearing lipstick and had gone to a Ginger Rogers movie.
Ferris bi dobio slom ţivaca da je znao kako sad nosi ruţ za usne i kako je gledala film s Ginger Rogers.

Minogue was inspired by the style of Broadway shows such as 42nd Street and films such as Anchors Aweigh, South Pacific and the Fred Astaire and Ginger Rogers musicals of the 1930s.
Minogue je bila inspirirana stilom Broadwayskih showova poput mjuzikla 42nd Street i filmova poput Anchors Aweigh, South Pacific i mjuzikla od Freda Astaira i Ginger Rogers 1930-tih godina.

John Mueller summed up Rogers' abilities as: "Rogers was outstanding among Astaire's partners, not because she was superior to others as a dancer, but, because, as a skilled, intuitive actress, she was cagey enough to realize that acting did not stop when dancing began...the reason so many women have fantasized about dancing with Fred Astaire is that Ginger Rogers conveyed the impression that dancing with him is the most thrilling experience imaginable".
Mueller ovako ukratko opisuje Gingerine sposobnosti: "Rogers se izdvajala od svih ostalih Astaireovih partnerica, ne zato što je kao plesačica bila superiornija, već zato što je, kao vješta, intuitivna glumica bila dovoljno nepovjerljiva da shvati kako gluma nije prestajala kada bi plesanje započelo ...razlog zbog kojeg su tolike žene maštale o plesanju s Astaireom je taj što je Ginger Rogers stvarala dojam da je plesanje s njim najuzbudljivije iskustvo koje se može zamisliti."

For example, with his sister Adele, he co-introduced the Gershwins' "I'll Build a Stairway to Paradise" from Stop Flirting (1923), "Fascinating Rhythm" in Lady, Be Good (1924), "Funny Face" in Funny Face (1927); and, in duets with Ginger Rogers, he presented Irving Berlin's "I'm Putting All My Eggs in One Basket" in Follow the Fleet (1936), Jerome Kern's "Pick Yourself Up" and "A Fine Romance" in Swing Time (1936), along with the Gershwins' "Let's Call the Whole Thing Off" from Shall We Dance (1937).
Na primjer, sa svojom sestrom Adele izveo je skladbu Gershwinovih "I'll Build a Stairway to Paradise" u predstavi Dosta koketiranja (1923.), "Fascinating Rhythm" u Damo, budi dobra (1924.), "Funny Face" u Smiješnom licu (1927.); zatim, u duetima sa Ginger Rogers, otpjevao je pjesmu Irvinga Berlina "I'm Putting All My Eggs In One Basket" u Slijedi flotu, pjesme Jeromea Kerna "Pick Yourself Up" i "A Fine Romance" u Vremenu swinga te Gershwinovu "Let's Call The Whole Thing Off" iz Zaplešimo zajedno.

Lela Rogers and her daughter Ginger have asked if they can join.
Lela Rogers i njena kći Ginger pitale su mogu li se pridružiti.

They reminded me of Fred Astaire and Ginger Rogers swinging and twirling around and around in this vast open space, in perfect timing to the worship music.
Podsjećali su me na Freda Astairea i Ginger Rogers kako se ljuljaju i kovitlaju okolo i okolo na tom širokom otvorenom prostoru savršeno ukorak sa glazbom obožavanja.

Mueller sums up Rogers's abilities as follows: Rogers was outstanding among Astaire's partners not because she was superior to others as a dancer, but because, as a skilled, intuitive actress, she was cagey enough to realize that acting did not stop when dancing began... the reason so many women have fantasized about dancing with Fred Astaire is that Ginger Rogers conveyed the impression that dancing with him is the most thrilling experience imaginable.[25]
Mueller ovako ukratko opisuje Gingerine sposobnosti: "Rogers se izdvajala od svih ostalih Astaireovih partnerica, ne zato što je kao plesačica bila superiornija, već zato što je, kao vješta, intuitivna glumica bila dovoljno nepovjerljiva da shvati kako gluma nije prestajala kada bi plesanje započelo...razlog zbog kojeg su tolike žene maštale o plesanju s Astaireom je taj što je Ginger Rogers stvarala dojam da je plesanje s njim najuzbudljivije iskustvo koje se može zamisliti."

John Mueller summed up Rogers's abilities as: "Rogers was outstanding among Astaire's partners, not because she was superior to others as a dancer, but, because, as a skilled, intuitive actress, she was cagey enough to realize that acting did not stop when dancing began... the reason so many women have fantasized about dancing with Fred Astaire is that Ginger Rogers conveyed the impression that dancing with him is the most thrilling experience imaginable".[citation needed]
Mueller ovako ukratko opisuje Gingerine sposobnosti: "Rogers se izdvajala od svih ostalih Astaireovih partnerica, ne zato što je kao plesačica bila superiornija, već zato što je, kao vješta, intuitivna glumica bila dovoljno nepovjerljiva da shvati kako gluma nije prestajala kada bi plesanje započelo...razlog zbog kojeg su tolike žene maštale o plesanju s Astaireom je taj što je Ginger Rogers stvarala dojam da je plesanje s njim najuzbudljivije iskustvo koje se može zamisliti."

No no, Ginger never cried".[citation needed] John Mueller summed up Rogers's abilities as follows: "Rogers was outstanding among Astaire's partners not because she was superior to others as a dancer but because, as a skilled, intuitive actress, she was cagey enough to realize that acting did not stop when dancing began...the reason so many women have fantasized about dancing with Fred Astaire is that Ginger Rogers conveyed the impression that dancing with him is the most thrilling experience imaginable".[citation needed] According to Astaire, when they were first teamed together in Flying Down to Rio, "Ginger had never danced with a partner before.
Ne, ne, Ginger nikad nije plakala". Mueller ovako ukratko opisuje Gingerine sposobnosti: "Rogers se izdvajala od svih ostalih Astaireovih partnerica, ne zato što je kao plesačica bila superiornija, već zato što je, kao vješta, intuitivna glumica bila dovoljno nepovjerljiva da shvati kako gluma nije prestajala kada bi plesanje započelo...razlog zbog kojeg su tolike žene maštale o plesanju s Astaireom je taj što je Ginger Rogers stvarala dojam da je plesanje s njim najuzbudljivije iskustvo koje se može zamisliti."