Thus, we aimed at exposing and re-contextualizing theoretical insights which, in the realm of aesthetics in one form or another, already contained or anticipated the recognition of the medial transmittability and splitting of the world, the ineffaceable and interdependent exposure of the body and the technical media, or the medial codes of the senses and the perception. These insights, which were ascertained by the spatial turn, are inevitable today and preconditions of any concrete interpretation of art.
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